Word: krafft
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Dates: during 1960-1969
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...pains on the 8th, 17th and 26th of each month, the very days when his ecclesiastical friends used to get out the penitential thongs. To tell how he compensates for these twinges would give away a plot so complicated that the combined perceptions of Mme. Blavatsky and Krafft-Ebing are necessary to elucidate...
...elegantly sadistic New York detective named Baker, who is obsessively dedicated to the proposition that Mafioso Emilio Matteo (Wiseman) must be destroyed. O'Neal turns treacherous and vicious with gusto. Wiseman, his eyes dead cold, his face frozen into a mask of menace, looks like a Krafft-Ebing case history...
...French theorists, Kubrick ironically has the most difficulty fitting their procrustean bed. His films are alike only in their lapidary craftsmanship and strong visual sense. At his best, Kubrick created America's finest antiwar movie, Paths of Glory. At his worst, in Lolita, he flattened Nabokov's Krafft-Ebing satire and missed the author's parody of motel Americana. With the innovative successes of Dr. Strangelove and 2001, he recouped much of his prestigé. Still, there remains some doubt as to whether Kubrick has retained his ability to create characters of psychological breadth and substance...
...dirty joke? Well, there is a young widow (Catherine Spaak) who finds out that her late husband was a real swinger. He left her his private flat designed for orgies, complete with floor mirrors, and an elaborate camera setup for making movies of all the fun. Copy of Krafft-Ebing in hand, the wide-eyed widow goes through all the paces, developing a real yen for the "Aristotelian perversion." Only a strong, sober and steadfast physician (Jean-Louis Trintignant) is able to set her straight. But-surprise-he digs Aristotle too. That isn't much of a punch line...
...French film maker whose stock in trade is grafting psychological aberrations onto standard and somewhat sleazy melodrama. In La Prisonnière, his first film in eight years, Clouzot once again mixes an ordinary story with kinky characters, a soupçon of violence, and a touch of Krafft-Ebing just to add some spice. The result is pat, predictable and more than a little distasteful...