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...made of Martin Kramer’s suggestion that Palestinians be denied food and medicine in order to weaken their opposition to the Israeli occupation. We, along with a group of 25 other professors, scholars, and Harvard alumni, add our voices to the chorus of condemnation directed towards Dr. Kramer and express our concern that the Weatherhead Center has lent him its credibility. As academics, we question both the ethical and scholarly basis of Dr. Kramer’s public statements. We maintain that this is not a question of protecting Dr. Kramer’s free speech...

Author: By Lori Allen, Vincent A. Brown, and Ajantha Subramanian | Title: Condemning Kramer | 4/19/2010 | See Source »

...scholarly merit. In the name of state security, it validates demographic strategies of population control that date at least back to Thomas Malthus and have been repeatedly found wanting both intellectually and morally for over two centuries. Also, by attributing to culture what is a political and social phenomenon, Kramer misrepresents the dynamics of the Israeli-Palestinian conflict. A willingness to sacrifice oneself is not a desire for martyrdom rooted in Palestinian culture. Rather, as has been shown by scholars of the conflict, Palestinian youth turn to violent means to oppose the dehumanizing effects of the Israeli occupation. In short...

Author: By Lori Allen, Vincent A. Brown, and Ajantha Subramanian | Title: Condemning Kramer | 4/19/2010 | See Source »

...discourage African-Americans from reproducing and thus constitute an effective anti-crime program?” And, finally, what if a similar argument was made with regard to the Jewish people? If the Weatherhead Center would distance itself from such arguments and likely condemn them, why does it defend Kramer when he calls, in effect, for a policy of eugenics against Palestinians...

Author: By Lori Allen, Vincent A. Brown, and Ajantha Subramanian | Title: Condemning Kramer | 4/19/2010 | See Source »

Musically, the production makes occasional use of the vocal talents of Stewart N. Kramer ’12, whose powerful voice opens the show with a rousing, half-drunk chorus of “Vive la Compagnie.” He also briefly appears as a sage street performer singing for his supper. For its many scene transitions, the show too-frequently utilizes the Johnny Cash song “God’s Gonna Cut You Down,” a catchy, yet repetitive tune which rather abruptly jerks the listener out of eighteenth-century France and into...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: ‘Danton’ Drags Painfully Toward Death | 4/6/2010 | See Source »

...bottom line is Mr. Bowman, Ms. Gharavi, and Mr. Rashid have set an excellent example of exactly what responsible and conscientious people should do: expose and oppose views that offend them and many others. That is a much better response to the Kramer affair than a system of vetting for views on sensitive issues...

Author: By Beth A. Simmons | Title: LETTER: Responding to Student Concerns about the Weatherhead Controversy | 4/1/2010 | See Source »

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