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Time for Elizabeth (by Norman Krasna & Groucho Marx; produced by Russell Lewis & Howard Young) was a tin-and-cardboard comedy which was meant to be box office but turned out to be a bore. Closing after eight performances, it showed little of what its collaborators are best known for: Groucho Marx, as playwright, lacked the divine madness he displays as a performer; while the smooth Krasnagraph that reeled off Dear Ruth and John Loves Mary badly needed oiling...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Oct. 11, 1948 | 10/11/1948 | See Source »

...best comedy is the comedy of situation or of memorable character. Any playwright who attempts to pass off a motley collection of gags and giggles as a "light dramatic composition" is treading on thin ice, and Norman Krasna has not escaped the usual pitfalls in his latest effort to repeat the popularity of "Dear Ruth." His plot--the customary returning-soldier triangle--meets the traditional requirements, but a slow and uneven development robs it of most of its potentialities...

Author: NO WRITER ATTRIBUTED | Title: The Playgoer | 1/30/1947 | See Source »

Dear Ruth (by Norman Krasna; produced by Joseph M. Hyman and Bernard Hart) is a sure-fire popular comedy about the young, exploiting an amusing (if familiar) situation for comedy, farce and romance alike, and framing it in the fat plush of family life. A teen-age brat named Miriam Wilkins (Lenore Lonergan) has long and lushly corresponded-in the name of her older sister Ruth-with a young overseas flyer. Suddenly the flyer (John Dall) turns up, all set to marry Ruth-who is all set to marry someone else. To soften the blow, Ruth (Virginia Gilmore) agrees...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Dec. 25, 1944 | 12/25/1944 | See Source »

Lean, sad Director Clair made his first English picture with Grade A Playwright Robert Sherwood. It was The Ghost Goes West, a satiric fantasy about an amorous Scottish shade, and it was a ten-strike (TIME, Jan. 20, 1936). But The Flame of New Orleans, scripted by Norman Krasna (Bachelor Mother), is no equal of The Ghost. Occasional touches-word of La Dietrich's honky-tonk past conveyed from ear to ear at her introduction to New Orleans' society, a wedding gown floating mysteriously down the Mississippi, shutters opening drowsily on the quay at dawn-give proof that...

Author: /time Magazine | Title: The New Pictures, May 12, 1941 | 5/12/1941 | See Source »

...Director Kanin and Screenwriter Norman Krasna in collaboration produced an excellent script, but Krasna got so jittery in the process that he says he "began looking longingly at a river I know...

Author: /time Magazine | Title: Cinema: The New Pictures: Jul. 10, 1939 | 7/10/1939 | See Source »

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