Word: kravitz
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Susanna, in cahoots with the Countess (Martha Warren) launches a plot against the Count (David Kravitz) who wants Susanna and doesn't return the Countess' love as he should. Basically, Susanna wants Figaro, the Count wants Susanna and the Countess wants the Count. Throw in a case of a lovesick teenager (Cherubino), recruited to aid in the scheme by the women, and a subplot where the orphaned Figaro learns the identities of his real parents, and you get some really dangerous liaisons...
...blood-red backdrop, she expresses her grief over her unrequieted love for the Count. Although wooden at first, Warren's Countess warmed up as the action heated up. She does, however, keep a cool distance from the audience as well as from the Count, who is well-played by Kravitz...
...shocking protest over his company's involvement in tobacco, the Big Fig Newton hangs up his green booties for good. RJR-Nabisco's new owners, the takeover giant Kohlberg, Kravitz and Roberts (a.k.a. Harvard's slush fund), fill his pointy shoes with another prominent ambassador of good will. "Indeed, it is a profound honor to assume such a prestigious post. It is a veritable step up the ladder, one might say," former Dean of Students Archie C. Epps III tells Gourmet magazine...
This season, which ended last week, was typically eclectic. Among the offerings were a musical setting of Mordecai Richler's brash comic novel The Apprenticeship of Duddy Kravitz and Composer Salzman's Stauf, an anagrammatical updating of the Faust legend co-written by Michael Sahl. The highlights, though, were The Man Who Mistook His Wife for a Hat, a moving minimalist meditation by British Composer Michael Nyman based on a case history in Neurologist Oliver Sacks' best seller, and Harry Partch's 1959 Revelation in the Courthouse Park, a quirky blending of Euripides and Elvis Presley, scored for an unorthodox...
...JOSHUA'S DIFFICULTIES go way back. Richler bases his screenplay on his novel by the same name, something he did before more plausibly and palatably Apprenticeship of Duddy Kravitz. But the novel itself is not that good to begin with. Not Richler's best work, it is a provincial rendition of the self-hating Jewish man's odyssey, his archetypal pursuit of the elusive non-Jewish woman (subtley known as the shiksa...