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...Carefully mapping out his life, the Cassius side of Dreyfuss planned on ten years of acting apprenticeship. But before he could get started, he says, in a voice that wavers somewhere between woe and wonder, "the movies happened-boom! boom! boom!" American Graffiti led to The Apprenticeship of Duddy Kravitz, which led to Jaws-which led to the beginning of a breakdown. The movie was just a big fish story, says Dreyfuss, and he "felt like a whore" acting...

Author: /time Magazine | Title: Show Business: Hollywood's Flying Object | 12/5/1977 | See Source »

...billing and top dollar in Hollywood, but it has always been hard to accept him as a top movie actor. Though his brash energy holds the screen, Dreyfuss has built most of his characters from a single emotion-an intense comic anguish. At his best-in American Graffiti, Duddy Kravitz and Close Encounters-he can be ruefully witty and vulnerable. His jittery neuroticism keeps an audience guessing whether he might really fall apart. But there is also a persistent feeling that he is hiding behind a pat routine. When Dreyfuss portrays the same boyish insecurities in role after role...

Author: /time Magazine | Title: Cinema: Wising Up | 11/28/1977 | See Source »

STILL, MOST of the blame for stereotypic characterization belongs to director Kotcheff and his scriptwriter Mordecai Richler, the same team responsible for the superior The Apprenticeship of Duddy Kravitz. By choosing the names Dick and Jane (and Billy for their child, Spot for their dog), Richler intends to present a typical family. At one point, Dick shouts that he won't be destroyed, because he represents the American middle class. But this conception of the middle class appears ludicrous, unless Richler wishes to depict the average Beverly Hills household, replete with swimming pool and cabana. It's difficult to sympathize...

Author: By Hilary B. Klein, | Title: See Spot Steal | 3/1/1977 | See Source »

...fairy tale, not a cutting satire. Neither the bullets nor the issues are real. Dick and Jane pick only safe targets; they knock over a telephone company office and win a round of applause from the queue of bill payers. Briskly propelled by Director Kotcheff (The Apprenticeship of Duddy Kravitz), they skim through their adventures as innocently as a pair of prankish collegians. The only laws they are unable to flout are the iron laws of comic contrivance. They must, it seems, receive an implausible invitation to a party at the offices of the firm that fired Dick, for only...

Author: /time Magazine | Title: Cinema: Downward Mobility | 2/7/1977 | See Source »

...students with skills in high demand were also well paid, the reports showed. Carl Kravitz '77, a member of the Harvard Tennis Team, earned $400 a week teaching tennis last year...

Author: By J. WYATT Emmerich, | Title: Interest in Summer Jobs Up, DemandDown, OCS-OCL Says | 11/18/1976 | See Source »

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