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...Schuller's love of both the classical and jazz idioms prompted him to envision a reconciliation and integration of the two. At a lecture at Brandeis University in 1957, he coined the term "Third Stream." Influenced by compositions of Milhaud, Honneger and Krenek from the 1920s, as well as Ellington, Woody Herman and the more recent experiments of Stan Kenton, Schuller "realized that there was already a potential development and tradition, which could and should lead to the coming together of classical and jazz, which essentially were being segregated by the institutions of music. I call it Third Stream because...

Author: By Anthony Cheung, CONTRIBUTING WRITER | Title: 'Of Reminiscences and Reflections': 75 Years of Gunther Schuller | 11/3/2000 | See Source »

Organ Recital--Campbell Johnson, organist; music of Sessions, Buxtehude, Krenek and Book; Busch-Reisinger Museum...

Author: NO WRITER ATTRIBUTED | Title: WHAT IS TO BE DONE Nov. 12 - 18 | 11/12/1981 | See Source »

...express his love of contemporary music in the most practical way. Each year he has set aside up to $100,000 and, through his Fromm Music Foundation, parceled it out in commissions to an international Who's Who of composers: Milton Babbitt, Alberto Ginastera, Alan Hovhaness, Ernst Krenek, Roger Sessions, Stefan Wolpe -some 90 names in all. Composer Gunther Schuller describes Fromm as "the single most important benefactor in the field of contemporary music...

Author: /time Magazine | Title: Music: Modern Maecenas | 8/21/1972 | See Source »

From Zacher's organ at the Folkwang Academy in Essen come some of the most adventurous and innovative sounds heard in a time beset by strange noises. Playing music by such avant-garde composers as Mauricio Kagel, Georgy Ligeti, Olivier Messiaen, Ernst Krenek and, naturally, John Cage, Zacher treats the organ as though it were a giant musical synthesizer, capable of taking sound back to its primeval sources and building music anew. That is exactly how Zacher feels about...

Author: /time Magazine | Title: Music: The Organ as Synthesizer | 6/8/1970 | See Source »

...belief that "seduction of the audience through the eye is easier than through the ear," he has brought such gifted directors as Jean-Louis Barrault and GianCarlo Menotti to Hamburg to stage his productions; and as a musician, he has persuaded such fellow composers as Hans Werner Henze, Ernst Krenek and Krzystof Penderecki to write new operas for the company...

Author: /time Magazine | Title: Opera: How to Hear Ahead | 7/7/1967 | See Source »

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