Word: krenek
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Dates: during 1960-1969
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...after laborious computation the composer produces only musical chaos, why not simply start with chaos?" Ernst Krenek, composer and visiting professor of Music at Brandeis University, asked last night in Kirkland House...
Discussing the postwar denial of the romantic concept of "inspiration," Krenek said "the composer doesn't believe in inspiration any longer." The romantic's inspiration was predetermined, Krenek said, by his technical equipment-by his grasp of four-part harmony and counter-point...
...from Fred Waring and his Pennsylvanians. But the music the Gregg Smith Singers performed last week at the avant-garde Contemporary Music Festival at Darmstadt, Germany, was as tortuously difficult as any being written. After listening to the visitors soar with uncanny ease through the continuing complexities of Schonberg, Krenek and Ives, Darmstadt Director Wolfgang Steinecke paid a rare tribute: the group was, he said, "Bestes Ameri-ka"-the best of America...
Rhythm & Pitch. Ernst Krenek's atonal Santa Fe Time Table was in itself enough to put a tremolo in the larynx of most singers. A long, desert-dry work, its lyrics is a list of all the station names between Albuquerque and Los Angeles* The chorus rattled down the right-of-way like a highballing freight, then proceeded to an even more formidable test: Schonberg's late works, Dreimal...
...Krenek's pathos in instantly communicative, the pain is very near the surface. Threni seems more akin to the Lamentationes of Tallis, written almost 400 years ago; both rely on low timbres and an introspective polyphony that seems to express the recollection of pain rather than its direct experience...