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...after laborious computation the composer produces only musical chaos, why not simply start with chaos?" Ernst Krenek, composer and visiting professor of Music at Brandeis University, asked last night in Kirkland House...

Author: NO WRITER ATTRIBUTED | Title: Arbitrary Music Now the Fashion; Inspiration's Out | 4/27/1965 | See Source »

...from Fred Waring and his Pennsylvanians. But the music the Gregg Smith Singers performed last week at the avant-garde Contemporary Music Festival at Darmstadt, Germany, was as tortuously difficult as any being written. After listening to the visitors soar with uncanny ease through the continuing complexities of Schonberg, Krenek and Ives, Darmstadt Director Wolfgang Steinecke paid a rare tribute: the group was, he said, "Bestes Ameri-ka"-the best of America...

Author: /time Magazine | Title: Music: Atonal Choir | 9/8/1961 | See Source »

Rhythm & Pitch. Ernst Krenek's atonal Santa Fe Time Table was in itself enough to put a tremolo in the larynx of most singers. A long, desert-dry work, its lyrics is a list of all the station names between Albuquerque and Los Angeles* The chorus rattled down the right-of-way like a highballing freight, then proceeded to an even more formidable test: Schonberg's late works, Dreimal...

Author: /time Magazine | Title: Music: Atonal Choir | 9/8/1961 | See Source »

...every bar.") Also, the series is fragmented, transposed and otherwise manipulated so that lines recall Oedipus Rex and the Canticum instead of Schoenberg. The rhythm and scoring is all Stravinksy; in particular the reserved, consciously archaic Stravinksy of the past few years; more reflective, less apparently expressive than, say, Krenek's twelve-tone setting of Jeremiah, also deliberately archaic...

Author: NO WRITER ATTRIBUTED | Title: Stravinsky: Threni | 1/13/1960 | See Source »

...Krenek's pathos in instantly communicative, the pain is very near the surface. Threni seems more akin to the Lamentationes of Tallis, written almost 400 years ago; both rely on low timbres and an introspective polyphony that seems to express the recollection of pain rather than its direct experience...

Author: NO WRITER ATTRIBUTED | Title: Stravinsky: Threni | 1/13/1960 | See Source »

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