Word: krohn
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Dates: during 1990-1999
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...Teddy is not actually 'of his seed,' indulges his merrily lecherous feelings for his son, while also pursuing the ship's sailor, Higgins (Peter E. Scott '98). His wife, Victoria (Rachel A. Siegel '96) reveals she thinks she has had an affair with her sister, Harriet (Tanya C. Krohn '97), who is variously identified as Victoria's daughter, Arabella, as well as the ship captain's daughter, Lidia. The son, Teddy (Chris F. Terrio '97) has his first sexual encounter with his Aunt Harriet/Sister Arabella/Lidia, charges his father for sexual services and battles for his manhood with his mother. Presiding...
...Tanya Krohn's Lidia/Harriet/Arabella is clearly the most difficult role of the cast, and though Krohn charges with good cheer throughout the majority of Lidia's obscene antics, her occasionally rushed delivery signals a slight faltering in her resolve. The poignancy of Lidia's wish that the whole damn family would go down with the ship is proof that Krohn has brought a humanity to the burlesque figure of Lidia. In the end, her efforts bring a consistency to the fragmented role...
Their daughter, known simply as daughter (Tanya Krohn),is adopted by her parents' friends, the Master and Mistress of the House (Alex Haseltine and Jill Weitzner), and life goes on-until the fateful events...
...Krohn,, as Daughter, is the younger of the two women, and her portrayal of this character makes this distinction clear. Unlike the brash, uninhibited character of Weitzner, Krohn is bashful, shy, and confused as the Visitor appears to come back into her life...
...best scenes of the play occurs when Toro-Hernandez and Krohn seduce each other with words of passion and affection. Krohn portrays her character, who is about to lose her virginity to this man, as hopelessly in love and yet scared and naive...