Word: krohn
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Dates: during 1990-1999
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Stephen A. Krohn Tulsa, Oklahoma...
...Anderson). Their pasts, however, are anything but sweet; John's wife left him, and Mollie married and divorced the same abusive husband twice. Then enter Mollie's ex's mother, Mother Lovejoy (Jill Weitzner), the Southern playwright's requisite aging Southern belle, and her dowdy daughter Loreena (Tanya Krohn). But even these entertaining albeit two-dimensional characters hide strange secrets...
...early adolescents. Wietzner's Mother Lovejoy is consistently amusing. Though her movement on stage is unconvincingly agile for a woman of Mother's age, Weitzner's accent, gestures, and facial expressions communicates clearly the attitudes of this pushy ex-belle who's main concern is to seem "aristocratic." Krohn's Loreena is lovably nerdy and woebegone, and her characterization is strongest not when Loreena is speaking but when she is listening, nearly forgotten, as the others sort out their tangled lives. Wohl delicately and subtly evokes Mollie's transformation from vulnerability to strength and back again...
...love struck architect who wanders into this muddle of familial relationships. Anderson is tentative and unable to hold the stage beside Levitt or Wohl; he is capable of handling the romantic parts of the role but not the tenser moments. Yet Anderson is stronger in the scenes with Krohn and Terrio, when his quiet charm creates an air of intimacy in which the audience--for once--feels included...
...There has been too much talk...about economicthings...and the value of objects," saidsecond-year M.P.A. candidate Wolfram Krohn, andnot enough about "the value of democracy, humanrights, and the rule...