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...nudes out of 37 pictures is no overload for Artist Leon Kroll, 50, who opened two important exhibitions of his work, one at the Carnegie Institute, the other at the Milch Galleries in Manhattan. A persistent prizewinner since 1912, a National Academician, an able landscape painter, few artists since Titian have had a more wholehearted delight in the female figure...

Author: /time Magazine | Title: Art: Mr. Kroll's Hobby | 5/20/1935 | See Source »

...Leon Kroll, who took the $1,000 Altman prize for landscapes. His canvas entitled Cape Ann was an excellent picture of three young people in bathing trunks, sweaters, bathrobes, done with all the artist's flair for the human figure...

Author: /time Magazine | Title: Art: Radio Plugs | 3/18/1935 | See Source »

...Robert L. Angenblick 1L, of Newark, N. J.; William H. Ernst 1L, of Buffalo, N. Y.; Nestor S. Foley 1L, of Somerville, Mass.; George Gore 1L, of Rapid City, S. D.; Howard L. Hausman 1L, of Brooklyn, N. Y.; Samuel L. Kobre 1L, of Newark, N. J.; Milton P. Kroll 1L, of Paterson, N. J.; Bertram H. Loewenberg 1L, of Roxbury, Mass.; Donald L. McCaskey 1L, of Pittsburgh, Pa.; Frank J. Meistrell 1L, of Brooklyn, N. Y.; William L. Owen 1L, of Excelsior Springs, Mo.; Alexander G. Sanderson, Jr. 1L, of Texarkana, Ark.; Sidney D. Spear 1L, of Cashmere, Wash...

Author: NO WRITER ATTRIBUTED | Title: 22 SCHOLARSHIPS ARE GIVEN BY LAW SCHOOL | 2/6/1935 | See Source »

Along with Charles Sheeler's Shaker Buildings, Georgia O'Keeffe's This Autumn, Thomas Benton's Over the Hill, Leon Kroll's Road Through Willows, Edward Hopper's East Wind Over Weehawken, Henry Billings' Martha's Vineyard Sound, Reginald Marsh's Coney Island Beach and Grant Wood's Arbor Day, one canvas is notably eyeworthy: John Steuart Curry's The Fugitive, in which a terrified half-naked Negro hides against a tree trunk from a lynching mob while two red butterflies drift past his feet...

Author: /time Magazine | Title: Art: Whitney Thermometer | 12/10/1934 | See Source »

...ller planned a big pre-consecration rally. Counting on a crowd of 60,000, he had loudspeakers rigged up in the Lustgarten between the old Imperial Palace and the Protestant Cathedral. Squads of police would be on hand to manage the pack. There would be a demonstration at the Kroll Opera House and down Unter den Linden would march a snappy parade of German Christians-the exuberantly radical semipagan backers of the Reichsbischof...

Author: /time Magazine | Title: GERMANY: Shame & Sorrow | 10/1/1934 | See Source »

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