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...group, the Temperamental Ensemble. Rauch takes longer and gets to "somewhere in the early twenties" before throwing up his hands in despair at this spring's schedule. Instead of directing one or two discrete shows this term, he pulled together an ensemble of old and new actors called the Kronauer Group. The Kronauer Group, many of whom had worked together before did staged readings and adaptations, and concentrated on learning from one another rather than aiming for polished theatrical products. In the process, they churned through an astounding amount of material, including an adaptation of a vampire novel, a reworking...

Author: By Amy E. Schwartz, | Title: The two masks of Harvard drama | 6/7/1984 | See Source »

Even more startling, from a theoretical point of view, were the implications of the Kronauer Group's experience and especially of their culminating show this spring, Medea Macbeth Cinderella. Taking three familiar pieces of theater with vastly different conventions--a Euripides, a Shakespeare and a faintly dippy modern musical--he placed the actors for all three in an arena, they rushed around, colliding and mingling and doggedly pursuing their separate stories Soliloquies lined up with Greek choral laments and song lyrics. There were enough theoretical implications to set anyone afloat...

Author: By Amy E. Schwartz, | Title: The two masks of Harvard drama | 6/7/1984 | See Source »

Rauch, who calls the Kronauer endeavor his most eye-opening experience ever, agrees that "there was something about the scope of the vision involved that's so big, bigger than me, bigger than all of us, bigger than anything I've ever done." The concept controlling the production the idea of a "magic forest" of criss-crossing stories as an image for the whole world--"scares me now when I listen to conversations in crowds...

Author: By Amy E. Schwartz, | Title: The two masks of Harvard drama | 6/7/1984 | See Source »

...Kronauer experience had a deeper effect on him as well--particularly as it led into worries about a not-yet-certain future. "Nowadays I find myself thinking in terms of the difference between trying to get a lot of professional jobs and producing plays on the one hand, and devoting yourself to a group of people on the other. These days I wonder whether it's possible to do anything really new without working for a long time with a group of people--which makes me think that's what I'll do at some time in the future...

Author: By Amy E. Schwartz, | Title: The two masks of Harvard drama | 6/7/1984 | See Source »

...speech, Kronauer emphasized that residents should consider the security risks of the project. "It is tempting to climb up the scaffolding," he said...

Author: NO WRITER ATTRIBUTED | Title: Adams Renovations | 3/23/1983 | See Source »

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