Word: krupa
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Dates: during 2000-2009
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...Today, it was the Krupa-Pilzer Quintet. Last week, it was Dixie Power Trio. All summer, it’s been jazz in the Sculpture Garden at the National Gallery of Art. Every Friday from 5 p.m. to 8:30 p.m., the museum brings in talented jazz musicians to play for picnicking interns and locals after a long week of interning or being local. They come out in droves because it’s great music—and they come out in droves because it’s all free...
...don’t know much about jazz, but I liked the stylings of the Krupa-Pilzer Quintet. Of the adjectives I have heard others use when describing jazz, the quintet was the following: toe-tapping, exuberant, soulful, and versatile. The quintet was proudly highlighting women in jazz—a medium that, I’ve been told, is all about self-expression through music. On this Friday, some extraordinary women musicians were throwing their personal doors open to a captive public audience...
...brilliance or controlled emotion, and Goodman expected nothing less from his band. Musicians who fell short were subjected to ''the ray.'' ''He'd look over his glasses and stare at you --really nail you down with his eyes,'' remembers Vibraphonist Hampton, a member with Pianist Wilson and Drummer Gene Krupa of the seminal Goodman Quartet, which introduced a chamber-music approach to jazz. ''And all the time he'd be making some of the most difficult passages on his clarinet. He wouldn't stop playing, and he wouldn't stop glaring.'' Goodman's relentless drive had its roots...
...kick-up-your- heels abandon, Goodman's group was as highly disciplined as Arturo Toscanini's NBC Symphony. The eight- and 16-bar call-and-response choruses, sung out lustily by the saxophones, trumpets and trombones, supported wild improvisational flights by Goodman, Trumpeter Harry James and Drummer Krupa. The big breakthrough came at the Palomar Ballroom in Los Angeles. ''I called out some of our big Fletcher Henderson arrangements,'' remembered Goodman, ''and the boys seemed to get the idea.'' The crowd stopped dancing and rushed the bandstand. The swing era had begun, and Benny, then and thereafter, was its king...
...ability to scat new energy into old standards and for her long struggle with drug addiction, for which she served jail time; in Los Angeles. Born Anita Colton (O'Day was pig Latin for dough-"what I hoped to make," she said), she brought early hits to bandleaders Gene Krupa (Let Me Off Uptown) and Stan Kenton (And Her Tears Flowed Like Wine) and cemented her hipster reputation by performing in low-key jackets and skirts instead of gowns. Of her career-highlighted by signatures Sweet Georgia Brown and Honeysuckle Rose and a stunning performance at the 1958 Newport Jazz...