Word: kubelik
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...post of music director for the Chicago Symphony is sometimes known as a conductor's Waterloo. No wonder. Artur Rodzinski lasted exactly one year before the dissatisfied trustees ousted him. Rafael Kubelik was hounded out of the job by Claudia Cassidy, the relentlessly hostile-toward Kubelik, at any rate- but now retired critic of the Chicago Tribune. Jean Martinon quit last year after a series of disputes that culminated in a clash with his musicians over discipline. The only recent conductor to succeed in the job was the late Fritz Reiner, a Hungarian with Germanic musical tastes, who brilliantly...
SYMPHONY NO. 4, BRUNO WALTER AND THE NEW YORK PHILHARMONIC (Odyssey); RAFAEL KUBELIK AND THE BAVARIAN RADIO SYMPHONY (Deutsche Grammophon); DAVID OISTRAKH AND THE MOSCOW PHILHARMONIC (Angel/Melodiya). This seraphic, fairy-tale score is the best introduction to Mahler. Bruno Walter's 23-year-old classic recording is rechanneled for stereo, with less bass than the original mono, but more polish in the middles and highs. Those who want a modern recording will like Kubelik's lithe and luminous version. The interpretation by Violinist-turned-Conductor Oistrakh is, unfortunately, unsympathetic and at times eccentric...
Naked Nerves. Why does this appeal so powerfully to modern audiences? U.S. Critic Jack Diether points to the "existentialist" strain in Mahler: "He is the only composer who looked into our whole civilization, who questioned the whole basis of our existence." Says Rafael Kubelik, who conducted Mahler's Eighth at Vienna last week: "He's a sufferer who forces man to look into a mirror. He exposes naked nerves." The Angst, as well as the questing spirit of Mahler's music, no doubt explains its special meaning for today's college-age youth, who are among...
BRAHMS: THE FOUR SYMPHONIES (4 LPs; Stereo Treasury). There are few better buys than this album. Rafael Kubelik leads the Vienna Philharmonic in a performance that is full of virtues: lustrous, well-balanced orchestral sound, particularly expansive winds, spirited pace. Kubelik's Brahms is never ponderous, nor does he go for the floods and eddies of sound that mar the more Wagnerian interpretations...
...gargantuan cantata before he made his break with tonality, but he deploys the oversized orchestra and chorus in daring polyphonic passages that alternate with romantic solos, sung beautifully in this recording by Soprano Inge Borkh and Tenor Herbert Schachtschnei-der. The Bavarian Radio Orchestra is con ducted by Rafael Kubelik...