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Word: kublai (lookup in dictionary) (lookup stats)
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Lyndon Johnson is not Kublai Khan. He cannot simply decree the Great Society. In what is probably the most highly urbanized nation the world has ever known, the foundations of a better life must be laid by and within the very cities that are seemingly faced with an infinitude of utterly insoluble problems. That these problems are both finite and soluble was implicit last week in the diverse yet apposite experiences of four of the greatest cities...

Author: /time Magazine | Title: Cities: Finite & Soluble | 9/24/1965 | See Source »

...peace in Michigan. "An old hunchbacked white devil performed the wedding," Malcolm said later, "and all of the witnesses were devils." At the time of Malcolm's death, Betty was pregnant and the mother of four children: Daughter Attilah, named after the Hun; Daughter Quiblah, after Kublai Khan; Daughter Ilyasah, Arabic for Elijah; and Daughter Lamum-bah, named after the Congo's wild-eyed Patrice Lumumba...

Author: /time Magazine | Title: Races: Death and Transfiguration | 3/5/1965 | See Source »

Presiding over this pleasure dome last week, Kublai Khan Mills was beginning to feel that everything was once again coming up roses. The Begum was using his Rolls-Royce, an oilman had borrowed his Bentley, and all seemed right with the world. The world, that is, of what Mills likes to call VIPIs (Very Important People Indeed). "I think we've made it," said Big John Mills. "Now where are we going to put the sauna...

Author: /time Magazine | Title: Nightclubs: In Old Morocco | 12/25/1964 | See Source »

...seemed a ponderous, pontifical play when it was first produced in 1928, and it has not improved with age. O'Neill's idea was to cast Marco Polo as the go-getting, money-grubbing Babbitt from Polo Bros., Venice, whose travels to Cathay and the kingdom of Kublai Khan result in a grand confrontation of Eastern and Western values. More symbol than satire, the play is a contrived collision of abstractions rather than a felt conflict of human beings...

Author: /time Magazine | Title: Theater: Babbitt in Cathay | 2/28/1964 | See Source »

David Hays' settings and lighting have risen to the challenge. Despite O'Neill's extravagant demands, there are no long waits between scenes. In one particularly ingenious solution, Kublai's arbor like baldachin is transformed before our eyes into theatre-high ship masts with full sail; the stage revolves while bathed by rippling spotlights, and we are on the high seas...

Author: By Caldwell Titcomb, | Title: Marco Millions | 2/21/1964 | See Source »

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