Word: kubrickã
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...brought together in a small village in the Alps. Their lives interweave with two romantic relationships, and the birth and death of two children. The story is told against sweeping, gorgeous landscape panoramas of the snowy Alps, and Tykwer quotes from films like Hitchcock’s Spellbound and Kubrick??€™s 2001: A Space Odyssey to present his analysis of a confused, noncommittal generation. 9 p.m. Tickets $8; $6 students. Harvard Film Archives...
...would be the crown jewel in the career of most other great directors, but Stanley Kubrick??€™s oeuvre is so solid that many buffs can sensibly rank two or three of his other films alongside it (Dr. Strangelove and Eyes Wide Shut are every bit as good, and The Shining blows all three of them out of the water). There’s no denying, though, that this is Kubrick??€™s most influential film. But its famously obtuse story still enthralls and its effects work still holds up remarkably well. And then there?...
...than happy to speak as a guest lecturer. During his lecture Mitchell discussed the film versions of Vladimir Nabokov’s Lolita, a key book in Tatar’s course. Though there have been many adaptations of Nabokov’s controversial work, Mitchell feels that Stanley Kubrick??€™s 1962 adaptation is by far the best. It truly stands the test of time, says Mitchell. Kubrick brilliantly meshed Nabokov’s theme of sexuality being used in order to sell with his own unique style of filmmaking...
...only Coca-Cola as their global licensing partner. Despite the preponderance of Potter products in (and being snatched from) stores, the studio has also shielded Radcliffe and his cohorts from press and paparazzi—the confidentiality surrounding the cast and crew of Sorcerer’s Stone puts Kubrick??€™s and Spielberg’s top-secret A.I. to shame. Forget Haley Joel Osment—Sorcerer’s Stone will catapult Daniel Radcliffe & Co. to super-super stardom, whether they like...
...hate mail (or hate postcards, as it were), let me just make it clear that I think Strangelove is by far the better movie. By implying that I like both movies, I’m not trying to lionize the creator of Beavis and Butthead at the expense of Kubrick??€™s genius. Obviously, I know that mentioning both movies in the same breath is a general insult to the former and an unnecessary aggrandizement of the latter. Then again, from what I’ve heard from fellow interns and seen for myself, Judge’s oeuvre...