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...Killing. Just another caper, but Director Stanley Kubrick has executed it nimbly (TIME, June...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Jun. 18, 1956 | 6/18/1956 | See Source »

...plot, worked up by Kubrick from a novel (Clean Break) by Lionel White, tells the familiar story of a stickup. Led by an ex-convict (Sterling Hayden), six men put the heist on a race track, but even though the tote is $2,000,000, the script fixes things so that crime does not pay. Nevertheless, the plot produces a gut-clenching suspense and plenty of surprises -pulled out of the hat alive and kicking...

Author: /time Magazine | Title: Cinema: The New Pictures, Jun. 4, 1956 | 6/4/1956 | See Source »

...hook or crook, trick or treat, carrot or stick, Director Kubrick has extorted a brilliant run for the customer's money from a field of Hollywood also-rans. As the leader of the gang, Actor Hayden gives a believable performance. As Hayden's henchmen, Jay C. Flippen, Ted DeCorsia and Joe Sawyer have the right wrong look; when the camera catches them together, the screen resembles a class photograph from San Quentin. And as the philosophic muscle merchant, Kola Kwarian throws the bull as charmingly as he throws the bulls...

Author: /time Magazine | Title: Cinema: The New Pictures, Jun. 4, 1956 | 6/4/1956 | See Source »

...Stanley Kubrick, who looks (according to one Hollywood observer) like "an undernourished Marlon Brando," is the son of a Bronx physician. At 13 he began "fooling around" with his father's Graflex. At 16 he took some pictures of his English teacher reading Hamlet and sold them to Look Magazine. At 17 he quit college for a full-time job as a Look staff photographer, and at 21 he made his first film: a 15-minute study of a boxer on the day of a fight. It cost $3,900, sold...

Author: /time Magazine | Title: Cinema: The New Pictures, Jun. 4, 1956 | 6/4/1956 | See Source »

After a second short, Flying Padre, fared no better, Stanley persuaded his family to put up $50,000 for a full-length feature called Fear and Desire, a story of four soldiers lost behind enemy lines. Unable to afford expensive fog machines, Director Kubrick at one point produced an illusion of fog with a California crop sprayer, almost asphyxiated cast and crew in a mist of insecticide. The picture, praised by the critics for its "visual power," was drowned in a downpour of public inattention. Killer's Kiss came next, a story about a pug and a floozy; financed...

Author: /time Magazine | Title: Cinema: The New Pictures, Jun. 4, 1956 | 6/4/1956 | See Source »

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