Word: kubrick
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...blast a hole in the enemy wire. And one by one they die. It is a gruesome portrait of war, more horrible than the intellectualized horror of Apocalypse Now and more realistic than The Deer Hunter's chamber-spinning metaphor for horror. It more closely resembles Stanley Kubrick's evocation of the butchering sen-selessness of trench warfare in his anti-war film, Paths of Glory...
...blast a hole in the enemy wire. And one by one they die. It is a gruesome portrait of war, more horrible than the intellectualized horror of Apocalypse Now and more realistic than The Deer Hunter's chamber-spinning metaphor for horror. It more closely resembles Stanley Kubrick's evocation of the butchering sen-selessness of trench warfare in his anti-war film, Paths of Glory...
...from the killer's point of view and we seem to be enjoying it, and to be dissociating ourselves from what it means. Responsible film artists have been warning us for years: Hitchcock told us, over and over, that we were voyeurs and sadists; Kubrick in Clockwork Orange, Malick in Badlands, Coppola in Apocalypse Now made epics of our dissociation; soldiers in Vietnam said it didn't feel like being there, it felt like being in a war movie; and Roger Rosenblatt writes in The New Republic that Son of Sam seems like just another psycho-on-the-loose movie...
...from the killer's point of view and we seem to be enjoying it, and to be dissociating ourselves from what it means. Responsible film artists have been warning us for years: Hitchcock told us, over and over, that we were voyeurs and sadists; Kubrick in Clockwork Orange, Malick in Badlands, Coppola in Apocalypse Now made epics of our dissociation; soldiers in Vietnam said it didn't feel like being there, it felt like being in a war movie; and Roger Rosenblatt writes in The New Republic that Son of Sam seems like just another psycho-on-the-loose movie...
...long ago, moviegoers knew, or cared about, only the big stars-Streisand and Newman, Fonda and Redford. Now the directors are often just as famous: Francis Coppola, Stanley Kubrick, Steven Spielberg, George Lucas. But who has heard of Reuben Cannon, Michael Fenton and Partner Jane Feinberg, Jennifer Shull, Lynn Stalmaster or Joyce Selznick? Almost 50,000 members of the Screen Actors Guild, that's who. For these are the casting directors, the silent powers who put the sparks into most of those stars way back when and who often mean the difference between a smash and a bust...