Search Details

Word: kubrick (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...suffering. Even blind and mutilated, the victim of some apocalyptic atomic blast, Moore's J.B. unleashes a 50-megaton cry to God for justice, for a reason. He cannot accept the logic of the grinning, trembling priest--David Van Taylor shines as this Father O'Malley through Stanley Kubrick's lens. The priest offers a straight-forward answer to J.B.'s questions and MacLeish's Question: "Your sin is simple. You were born...

Author: By Jacob V. Lamar, | Title: To Tell the Truth | 4/30/1980 | See Source »

Barry Lyndon (1975). Stanley Kubrick proves that landscape (also costume, decor and the play of light) can substitute for plot and dialogue to reveal the character...

Author: /time Magazine | Title: Cinema: THE BEST OF THE SEVENTIES | 1/7/1980 | See Source »

There are three groups of people who will definitely want to see Star Trek: The Motion Picture: Star Trek fans (of which I am one), Star Wars fans, and those moviegoers who consider themselves genre connoisseurs, because they made it to Stanley Kubrick's 2001: A Space Odyssey. All three groups will be sorely disappointed--most of all the millions of Trek fans who desperately hoped the film would be the apotheosis of the qualities that made the late '60s television series stand out during its three-year run on NBC and ten years in syndication. The film simply fails...

Author: By Joshua I. Goldhaber, | Title: Not Very Enterprising | 12/14/1979 | See Source »

...WANT to understand incest, wait for a re-run of Lolita. While Stanley Kubrick's masterpiece doesn't deal with technical incest, a sexual liason involving blood relatives, Lolita does capture that strange and tormented allure which a child can hold over an adult. The first, wonderful, utterly perverse shot of Lolita's toes contains more suppressed eroticism than all of Bernardo Bertolucci's Luna...

Author: By Deirdre M. Donahue, | Title: Mooning Over Mom | 11/2/1979 | See Source »

...ending fails not only intellectually but also as plain theater. Like the apocalyptic space journey in Kubrick's very similarly structured 2001: A Space Odyssey, Willard's journey is designed as a psychedelic trip. Each stop along the way is meant to be more phantasmagoric than the last. In 2001, Kubrick successfully escalated his film at each stage, even topping the seemingly unbeatable light show with a more bizarre finale. Coppola, while creating progressively weirder war scenes, runs dry before he reaches his crucial imaginative leap: Kurtz's fastidiously designed compound looks as tame...

Author: /time Magazine | Title: Cinema: The Making of a Quagmire | 8/27/1979 | See Source »

Previous | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | Next