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...Clockwork Testament, or Enderby's End is an account of Enderby's (no first name) death. But it is also an allegorical satire aimed primarily at a dimly perceived America and especially at Stanley Kubrick's bastardization of A Clockwork Orange. Enderby is a poet who has passed his dubious prime--in writing and in life. He, like Burgess, has been asked to teach for a year at Manhattan U., ostensibly because of the controversy his film script has created in America. The name of the film, of course, is changed: Enderby has adapted Gerard Manley Hopkins's The Wreck...

Author: By Greg Lawless, | Title: A Clockwork Lemon | 2/13/1975 | See Source »

...Kubrick's Dr. Strangelove, with Peter Sellers and George C. Scott, Friday and Saturday...

Author: NO WRITER ATTRIBUTED | Title: Harvard | 2/6/1975 | See Source »

Lolita. I've always wanted to see this ambitious version of the Nabokov novel, a film that doesn't get around much and that most people like a lot. Kubrick hasn't made very many films (this is one of his early ones), and whatever one thinks of 2001 or Clockwork Orange, he's always managed to come up with pictures really worth confronting. His range is phenomenal: he gave us the mythical war room of the Pentagon in Strangelove, for instance, and he was the first to visualize it for us. Now we take it for granted that generals...

Author: By Richard Turner, | Title: THE SCREEN | 1/9/1975 | See Source »

...best thing about science-fiction films is their opportunity for wonder, their ability to draw out and contain the most extravagant imagery. In Stanley Kubrick's great 2001: A Space Odyssey, themes and images reinforced one another. In most other futuristic films -and Phase IV is one of these-the force of the ideas cannot compete with the power of individual images...

Author: /time Magazine | Title: PHASE IV: The Ants Are Coming | 10/14/1974 | See Source »

Though established as a name, Nicholson is in the first flush of excitement at being a household word right now, and he is handling it with the respectable glee and half (but only that) the mocking humor of a sort of cutup prince regent. He is talking to Stanley Kubrick about playing Napoleon, to Bernardo Bertolucci about being the Continental Op in a film of Dashiell Hammett's Red Harvest. Milos Forman is waiting for him to finish Fortune, so he can start playing McMurphy in an adaptation of Ken Kesey's One Flew Over the Cuckoo...

Author: /time Magazine | Title: The Star with the Killer Smile | 8/12/1974 | See Source »

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