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DIED. Gyorgy Ligeti, 83, Hungarian avant-garde composer whoin spite of his staunch refusal to seek popular acceptancegained global fame when, unknown to him, Stanley Kubrick used his music in the 1968 film 2001: A Space Odyssey, giving him a new fan base of trippy, psychedelic teens; in Vienna. As a young composer, he was afraid to write down the modern pieces he heard in his head for fear of government retaliation ("totalitarian regimes do not like dissonances," he wrote). After escaping communist Hungary, he wrote polyphonous, unpredictably paced concertos, chamber pieces and other works, including one opera, Le Grand...

Author: /time Magazine | Title: Milestones Jun. 26, 2006 | 6/18/2006 | See Source »

...those things were designed really to make the process of making films easier and at the same time make the quality higher. Stanley Kubrick was doing that, too; he just didn?t have a company. He did it himself. It?s better to try and do it with a company and let your friends in on it, which is what I did. ILM was there because there were no real special effects companies at the time. I had a special effects movie and I needed to create one from scratch. The same thing with THX and everything else. But right...

Author: /time Magazine | Title: A Conversation with George Lucas | 3/14/2006 | See Source »

Getting his stories from the newspapers has created a broad commentary on our political environment, which Solondz thinks is fertile ground for storytellers of all stripes, saying “if you were Stanley Kubrick and were making a movie about 9/11 you would cast George W. Bush as the president. It’s so rich that it’s almost hard to understand how people could have trouble finding ideas...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: Todd Solondz’s Inverted World | 4/22/2005 | See Source »

Spivey’s close family ties might play into unfortunate stereotypes about southerners, but she self-identifies with an American Indian community, can quote Stanley Kubrick, and indulges in improv comedy with the Immediate Gratification Players...

Author: By Stephen M. Fee, CRIMSON STAFF WRITER | Title: Southern Comfort, Harvard-Style | 4/21/2005 | See Source »

...1960s the indirect approach to the Bomb seemed to be changing. In 1963 Alfred Hitchcock's The Birds was produced, and in 1964 Stanley Kubrick's Dr. Strangelove. One was a standard something-is-wrong-with-nature film that made monsters of benignities, the other a headlong black-comic attack on the nuclear threat. Dr. Strangelove even incorporated the subtheme of nature out of control in the Bomb-crazy Dr. Strangelove's right arm, which goes its own way, fondly recalls the doctor's Nazi days and at one point attempts to strangle its "master." Commercially, if not critically...

Author: /time Magazine | Title: What the People Saw: A Vision of Ourselves | 4/12/2005 | See Source »

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