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THEN, THERE was also the phenomenon--surely not considered by the Houston crews and the television networks--that in most respects imagination has already pre-empted actuality. The first live views of the moon looked suspiciously like the bits of Stanley Kubrick's 2001 that ended up on the cutting room floor. So, for most of the Huck Finns of this generation, it was quite easy to say "We've been there before...

Author: NO WRITER ATTRIBUTED | Title: Moonshine | 7/25/1969 | See Source »

...newest film, Alice's Restaurant, Penn gives visual substance to Mocking-Bard Arlo Guthrie's instant-hit record of last year. Penn currently is working on Little Big Man, a study of the contemporary American Indian, with Dustin Hoffman in the title role. ∙ STANLEY KUBRICK. A favorite of the French theorists, Kubrick ironically has the most difficulty fitting their procrustean bed. His films are alike only in their lapidary craftsmanship and strong visual sense. At his best, Kubrick created America's finest antiwar movie, Paths of Glory. At his worst, in Lolita, he flattened Nabokov...

Author: /time Magazine | Title: Cinema: The Film Maker as Ascendant Star | 7/4/1969 | See Source »

...mixture of brio and disgust with which Fellini views society. "Godardesque" implies the nervous tics and mannerisms of an artist whose creative palsy can produce intriguing collages but never a totally complete vision. "Antonioniesque" suggests the world as a chessboard, full of malignant surfaces and doomed figures. "Pennesque," "Nicholsesque," "Kubrick-esque"-the labels refuse to stick. Yet the time may not be far off when they will...

Author: /time Magazine | Title: Cinema: The Film Maker as Ascendant Star | 7/4/1969 | See Source »

...Wild Bunch contains faults and mistakes, but its accomplishments are more than sufficient to confirm that Peckinpah, along with Stanley Kubrick and Arthur Penn, belongs with the best of the newer generation of American film makers...

Author: /time Magazine | Title: New Movies: Man and Myth | 6/20/1969 | See Source »

Eric Siegel, 25, who built his first closed-circuit TV system out of spare parts ten years ago, showed a 21-minute tape of classical and Beatles music accompanied by glowing visual abstractions that he dubs Psychedelevision in Color. Closer to Stanley Kubrick's 2001: A Space Odyssey than to Walt Disney's Fantasia, it is the sort of work that might well fill the extra channels on the cable antenna systems of the future. Eager to "take the waste out of the wasteland," Thomas Tadlock, 28, spent two years and a patron...

Author: /time Magazine | Title: The Medium: Taking Waste Out of the Wasteland | 5/30/1969 | See Source »

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