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...love story, a prophecy and a fairy tale (Pinocchio, to be exact) in the guise of a science-fiction film, A.I.: Artificial Intelligence represents the collaboration and collision of two master filmmakers: Stanley Kubrick, who spent parts of more than 15 years on the project; and Steven Spielberg, whom Kubrick finally asked to direct it, and who did, from his own screenplay, after Kubrick's death in 1999. The film, whose genesis and shooting have long been cocooned in secrecy, opens next week...

Author: /time Magazine | Title: 'A.I.' — Spielberg's Strange Love | 6/17/2001 | See Source »

...first sci-fi project since 2001, Kubrick had planned, as Spielberg says, "to take a step beyond the sentient relationship that HAL 9000 has with Bowman and Poole, and tell a kind of future fairy tale about artificial intelligence." When he suggested that Spielberg direct it, "I thought he was out of his mind. He was giving up one of the best stories he had ever told. But he said, 'This story is closer to your sensibilities than my own.' " Once Spielberg began work on the film, at the behest of the director's widow Christiane and her brother, Kubrick...

Author: /time Magazine | Title: 'A.I.' — Spielberg's Strange Love | 6/17/2001 | See Source »

...Even when A.I. meanders or stumbles, it is fascinating as a wedding of two disparate auteurs. Kubrick took five, seven, a dozen years to make a movie; he optioned Brian Aldiss's short story "Supertoys Last All Summer Long," on which A.I. is based, in 1983. Spielberg has shot multiple films in one year, and in his spare time he helps run the DreamWorks film studio. Spielberg has the warmest of directorial styles; Kubrick's is among the coolest. One aims to seduce the audience; the other wanted to bend moviegoers to see it his way, or to hell with...

Author: /time Magazine | Title: 'A.I.' — Spielberg's Strange Love | 6/17/2001 | See Source »

...KUBRICK ISN'T AVAILABLE...

Author: /time Magazine | Title: People: Jun. 11, 2001 | 6/11/2001 | See Source »

Forget about black monoliths. If the late great Stanley Kubrick had known what was going to be really cool by the year 2001, his seminal movie would have opened with 25 million ape-descendants clustered silently round an awe-inspiring and somewhat unreal auction house. Then to the tune of the Blue Danube, some bizarrely diverse items would shoot weightlessly through the ether - sterling silver Jaguar cars, Sherlock Holmes first editions, Xerox networked printers, a pair of Madonna concert tickets, an ostrich-egg incubator - moving at a rate of 5 million purchases per day. The climactic scene, perhaps, would feature...

Author: /time Magazine | Title: Bidding for Greatness | 4/4/2001 | See Source »

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