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...Though Kuerti led the BSO off to a lukewarm start, Harrell’s sensitive performance soon warmed the audience to three hours of Romantic pieces, which ended on a note of exhaustion in the tragic theme of the Tchaikovsky symphony...

Author: By June Q. Wu, CRIMSON STAFF WRITER | Title: BSO Impresses Despite Setbacks | 11/24/2008 | See Source »

...orchestra in a clean performance of Brahms’s “Variations and Fugue on a Theme by Handel.” The brass section’s muddled sounds in the opening harmonies set the BSO off to a shaky start. Following the two introductory phrases, Kuerti eased into the set of 25 variations and a fugue, orchestrated by British composer Edmund Rubbra...

Author: By June Q. Wu, CRIMSON STAFF WRITER | Title: BSO Impresses Despite Setbacks | 11/24/2008 | See Source »

...light touch of the vivace con spirito recalls that of Tchaikovsky’s “Swan Lake,” but the orchestra erred on the heavy side, sometimes bogging down the music lines. Overall, Kuerti paced the orchestra well throughout the work for a clean performance...

Author: By June Q. Wu, CRIMSON STAFF WRITER | Title: BSO Impresses Despite Setbacks | 11/24/2008 | See Source »

Longy School of Music. Edward M. Pickman Concert Hall, 27 Garden St., Cambridge. 876-0956, ext. 120. Master class with Nico Castel, tenor on Sunday, Feb. 19 at 1 p.m. Master class with Anton Kuerti, piano on Sunday...

Author: NO WRITER ATTRIBUTED | Title: not at harvard | 2/16/1995 | See Source »

...However, Kuerti and Silverstein played it beautifully, extracting all the possible drama and depth from this lollipop. Their playing was relaxed and expressive; Silverstein even added a number of romantic-type slides to his playing, and ended the concert with excitement and style...

Author: By Joseph Straus, | Title: Bach for Bach Mai | 3/13/1974 | See Source »

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