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Next night two special trains brought 1,400 New Havenites down from Connecticut to hear Tenor Charles Kullmann make his début as Faust. Some members of the delegation remembered him when he was a boy soprano singing for 5? a Sunday at St. Paul's Episcopal Church. Others first knew him as the husky young member of the Class of 1924 who soloed with the Yale Glee Club. All were aware of the name he had made for himself in Berlin, Vienna and at the Salzburg Festival under Conductor Arturo Toscanini. Nor did his old friends seem...

Author: /time Magazine | Title: Music: Metropolitan's Week | 12/30/1935 | See Source »

...young Helen Oelheim, another débutante who did all she could with the absurd role of Siebel, for which she had to dress as a boy, flutter about picking flowers. Back-slapping scene of the week took place in the Grand Central station late that night when Tenor Kullmann rushed through the "Charles Kullmann" specials, shaking hands with his townsfolk to whom he was just plain Charlie...

Author: /time Magazine | Title: Music: Metropolitan's Week | 12/30/1935 | See Source »

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