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William Gillette, actor: "The ancient legend that actors are kindhearted, especially to one another, came to light again last week when I charged a play broker with grand larceny because he kept $1,000 which I had instructed him to give to Clare Kummer, actress and playwright. In 1925, Miss Kummer was in financial straits, when the opening of one of her plays was delayed. I wanted to assist her with $1,000, but I did not wish her to know it, so I used an intermediary...

Author: /time Magazine | Title: People: Apr. 11, 1927 | 4/11/1927 | See Source »

POMEROY'S PAST?Laura Hope Crews and Ernest Truex in an agreeable Clare Kummer comedy...

Author: /time Magazine | Title: The Theatre: Best Plays: May 10, 1926 | 5/10/1926 | See Source »

Pomeroy's Past. Clare Kummer can balance the feather of wit on the foolish nose of her comedies just about as well as anybody in America. This latest of her all too infrequent writings is powdered with agreeable derision and encumbered with an incredibly heavy last act. If you examine it meticulously you will probably find that the other acts are not too effective. For the sake of the numerous excruciating lines you will waive this examination. Pomeroy's Past is an entertainment of major delight in the conversation. Otherwise it does not matter much...

Author: /time Magazine | Title: Theatre: New Plays: May 3, 1926 | 5/3/1926 | See Source »

...Hampton, onetime cinema actress, was dismissed at the eleventh hour. Critics say that neither had the essential domination to pay the role its due. With the exception of Wanda Lyon, the remainder of the company was ill selected. The humor of the event was in the hands of Clare Kummer who, contrary to her custom, did a dull job. The scenery, however, was superb; and the show emerged as the most beautiful in Manhattan. Unfortunately beauty and melody cannot carry an operetta unassisted...

Author: /time Magazine | Title: The Theatre: The Theatre: Nov. 24, 1924 | 11/24/1924 | See Source »

...Clare Kummer was summoned to set to music her engaging comedy, Good Gracious, Annabelle. This will be remembered as a feathery adventure of an original young lady and a fierce cave man whom she reformed. It was chiefly characterization, unexpected remarks and utter nonsense. Apparently its elusive, airy quality confused Mr. Ziegfeld. He added toward the last a thunderous episode in slapstick and a beautiful ballet. The slapstick was funny and the ballet was a bore. The early episodes in the unadulterated Kummer quality made the show attractively successful...

Author: /time Magazine | Title: The Theatre: New Plays: Nov. 17, 1924 | 11/17/1924 | See Source »

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