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Among all the efforts to clamp state censorship on art in the 20th century, one symbolic event stands out. It is "Entartete Kunst," the Nazis' show of "degenerate art," the purpose of which was to ridicule Modernism. Even when Stalin launched his terror against the Russian avant-garde in the 1930s, it never occurred to his apparatchiks to hold a big show of the art he loathed. But this was precisely what Hitler did in the summer of 1937 in Munich, contrasting it with another exhibition -- reverently installed in the neoclassical halls of the new House of German...

Author: /time Magazine | Title: Art: Culture On the Nazi Pillory | 3/4/1991 | See Source »

...Entartete Kunst" was the first traveling blockbuster show of the 20th century. It went to several venues in Germany and Austria and was seen by the staggering total of nearly 3 million people, a larger box office than any art exhibition before or since. (By comparison, the Museum of Modern Art's Picasso retrospective drew 1.1 million four decades later.) It contained some 650 paintings, sculptures and prints by just about every Modernist artist of consequence in Germany and Austria; it was a huge, random anthology of the achievements of German Expressionism. Everything came from German museums, since the idea...

Author: /time Magazine | Title: Art: Culture On the Nazi Pillory | 3/4/1991 | See Source »

...although "Entartete Kunst" is still an archsymbol of cultural repression, it remains vague in detail. The catalog was a mere brochure, and only a few photos of the actual installation seem to have survived. What, exactly, was in the show? Below the obvious surface of anti-Semitic and anti- Modernist stereotypes, what did it actually represent? How did it fit into the larger programs of Nazism, and why was it so popular...

Author: /time Magazine | Title: Art: Culture On the Nazi Pillory | 3/4/1991 | See Source »

...many full-length productions that are sure to follow. The problematic third act has been from the start one of the opera world's chief prizes and puzzles. World War II brought an inhospitable climate for productions of Lulu, since the Nazis regarded it as entartete Kunst (decadent art), but thereafter it began to enter the international repertory. Approaches to other composers about finishing the third act had ended inconclusively. Opera managers vied for the chance to present the first complete performance; Liebermann made his first bid in 1950, when he was musical director of Radio Zurich. But they...

Author: /time Magazine | Title: Music: Lulu Is the Toast of Paris | 3/12/1979 | See Source »

...winners this week, even if they lose what is expected to be a close vote. Their reasoning: Bryant's spirited attack has encouraged homosexuals all over the country to come out of their closets. Already, gay groups from Boston to San Francisco are organizing as never before. Says Kunst: "We have created a national issue, and we intend to stay with...

Author: /time Magazine | Title: ISSUES: Gay Rights Showdown in Miami | 6/13/1977 | See Source »

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