Word: kunstlied
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Andre Zehrfeld, co-owner of Kunst-formerei-Zehrfeld, a surface detailing and polishing business, described how interesting it was to work with Harvard students...
...fine example of a genre that often and easily goes wrong: the politically didactic art show. Its curator, Stephanie Barron, in 1991 created a survey named "Degenerate Art." Her subject then was the censorship, repression and persecution of modern artists in Hitler's Germany, culminating in the infamous "Entartete Kunst" ("Degenerate Art") show of 1937, in which hundreds of works by artists from Oskar Kokoschka to Henri Matisse were pilloried with insulting wall labels. "Exiles and Emigres" is the sequel to Barron's earlier exhibition. With her associate, the German scholar Sabine Eckmann, Barron sets out to describe the exodus...
Beuys' art deals with similar issues. Some of the more memorable Beuys pieces in the exhibition were a silk screen that read "Kunst=Kapital," ("Art=Capital"), and a plastic bag that had printed on it a chart showing Beuys' view of an ideal political system. (Beuys made up a limited edition of these bags and distributed them on the street.) Like Warhol, Beuys created directly for "the people," forcing us to think about our society...
Dolmen's Lament, Musical Archetypes in Irish Oral Keening Tradition--by Francis B. Corcoran, professor of Composition and Theory, Staatliche Hochscule fur Musik und dartsellende Kunst. Music Building, Room...
These questions, and others, are now raised and answered by an altogether fascinating reconstruction of "Entartete Kunst," which opened last week at the Los Angeles County Museum of Art. "Degenerate Art: The Fate of the Avant- Garde in Nazi Germany" is the result of five years of patient detective work led by art historian Stephanie Barron, whose specialty is the art and cultural politics of Germany in the '20s and '30s. With the help of photographs that had lain unconsulted since the end of World War II in the archives of the National Gallery in Berlin, Barron was able...