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...until Mass General Bacteriologist Lawrence J. Kunz examined some of the children's stool specimens did he discover the alarming and unexpected reason: the relatively uncommon bacterium Salmonella cubana...

Author: /time Magazine | Title: Medicine: The Case of the Dubious Dye | 1/6/1967 | See Source »

Sure enough, Dr. Kunz was able to grow S. cubana from the dye capsules. Mass General notified state and federal health authorities and substituted a black carbon marker for carmine red as an intestinal tracer. Cases of cubana salmonellosis in three other states were traced to carmine red, and supplies were called in. So far, so good. But authorities have been checking other places for carmine red, knowing that it is a favorite coloring in candy, chewing gum, ice cream, cough syrups and drugs. Manufacturers like to use it because of a legal quirk: being a natural rather than...

Author: /time Magazine | Title: Medicine: The Case of the Dubious Dye | 1/6/1967 | See Source »

...ANDREW G. KUNZ Trinity Episcopal Parish St. Louis...

Author: /time Magazine | Title: Letters: Jan. 8, 1965 | 1/8/1965 | See Source »

...most mysterious in the annals of U.S. missing persons,* Crater's wife Stella, 53, emerged only last week from her own self-chosen limbo (as a Brooklyn secretary) for her first press conference. Remarried in 1938 (after Crater was declared legally dead), Stella Crater Kunz had good reason to say: "The investigation into his disappearance was bungled." Item: a letter, addressed to her in the judge's shaky handwriting and enclosing $7,211 in cash and checks, turned up in the Crater apartment five months after he vanished, although police had supposedly fine-tooth-combed the place. Stella...

Author: /time Magazine | Title: People, Aug. 8, 1955 | 8/8/1955 | See Source »

Strauss: Wiener Blut (Elisabeth Schwarzkopf, Erich Kunz, Emmy Loose, Nicolai Gedda; Philharmonia Orchestra and Chorus under Otto Ackermann; Angel, 3 sides of 2 LPs). Not so grand a ball as Die Fledermaus, Johann Strauss's masterpiece, this operetta is slighter but in spots even more delightful. A composite of Strauss music not originally written for the stage, the score is full of surprises: when sung, some of the waltzes and polkas take on a warbling charm they do not have as orchestra pieces alone. The libretto is preposterous, but offers linguists an unusually rich sampling of Viennese slang...

Author: /time Magazine | Title: Music: New Records, Jan. 17, 1955 | 1/17/1955 | See Source »

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