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DIRECTIONS '66 (ABC, 1-1:30 p.m.). Kurd Hatfield in a biography of Trappist Monk and Author Thomas Merton...

Author: /time Magazine | Title: On Broadway: Feb. 25, 1966 | 2/25/1966 | See Source »

Seduction & Brecht. No network has a monopoly on inventiveness. CBS's Look Up And Live recently presented a dramatization of Dostoevsky's The Idiot, narrated by Kurd Hatfield, and last summer had a three-part series on the changing role of modern women in church and society called The Evolution of Eve. Scheduled for spring is a CBS special-a Brecht-like oratorio on Galileo and the Inquisition by Composer Ezra Laderman and Joe Darion, lyricist of the off-Broadway hit, Man of La Mancha. NBC's Frontiers of Faith will soon undertake a twelve-part series...

Author: /time Magazine | Title: Churches: Excitement on the Tube | 1/28/1966 | See Source »

Bronze Nude & Car Bumpers. The house, of course, was the White House, and the occasion was that extraordinary Festival of the Arts. Hung on the walls of a ground-floor White House corridor was Peter Kurd's carefully representational Nito Herrera in Springtime, and right next to that was Avant-Garde Artist Jasper Johns's Target with Four Faces, an eerie encaustic on newspaper fixed onto canvas. Down the corridor, in the space traditionally occupied by a life-size portrait of President Millard Fillmore, was Mark Rothko's shimmering abstract Ochre...

Author: /time Magazine | Title: Nation: Festival of the Arts | 6/25/1965 | See Source »

...native regional realist of the Southwest, equally prized by Lyndon B. Johnson and Barry Goldwater, Kurd, now 60, is trying to preserve the look of a fading way of U.S. life. Like his brother-in-law, Andrew Wyeth, he finds all his subject matter, says he, "within five miles of my home." His ranch, The Sentinel, ranges over 2,200 acres where he raises cattle and, in less arid parts, apples, peaches and pears. It is not a big spread by Western standards, but profit is not its true purpose...

Author: /time Magazine | Title: Painting: The Last Frontiersman | 1/29/1965 | See Source »

...about man the de-spoiler." Hurd would like future viewers to say of his patient, sensitive work, "Here is what the Southwest looked like in the 20th century." Like George Catlin's early sketches of the vanishing Indians or Thomas Moran's pioneer paintings of the Yellowstone, Kurd's testament of art is his way of lingering in an historic land that he must some day leave. It will linger, because Hurd sees beauty in a dust storm, challenge in the parched desert, and ghostly life in a crumbling shack, a broken fence the fragments...

Author: /time Magazine | Title: Painting: The Last Frontiersman | 1/29/1965 | See Source »

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