Word: kurokawa
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Dates: during 1980-1989
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Aida is one of the few middle-aged stars of Japanese architecture who neither apprenticed nor studied under Tange. He taught at Tokyo University when Maki and Kisho Kurokawa were Tange's students there in the '50s; Kurokawa and Isozaki worked in Tange's office in the late '50s and early '60s. In fact, Tange and Isozaki, 56, are a good point-counterpoint embodiment of the generational change in Japanese design. Tange is a reserved pillar of society. Isozaki, whose good friends (like Fashion Designer Issey Miyake) jokingly call him Iso-san, is an impish glamour...
...craft of his best work since then. Like much Japanese architecture of the past 25 years, it has a sci-fi quality: one section of the building resembles some enormous otherworldly blimp, the other calls to mind a high-tech samurai helmet. But unlike the slicker gimmicky UFO architecture (Kurokawa's earlier work, for instance), Maki's gym is restrained and sober, a mature fantasy. The flawless, parabolic stainless-steel skin is 1.6 acres in size but just about one-sixtieth of an inch thick...
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