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...screens, it will bring to Asian films what Weinstein calls a "Western sensibility." So far the slate includes a live-action film of the fable Mulan; a martial arts team-up of Jackie Chan and Jet Li; and a remake of the 1954 classic, The Seven Samurai, which transplants Kurosawa's besieged Japanese village to the outskirts of Bangkok and recasts the Japanese fighters as mercenary soldiers, three of whom speak English...

Author: /time Magazine | Title: The Weinsteins Woo Asia | 8/25/2007 | See Source »

...last battle, Leonidas gets an enemy arrow in each tit, and soon he's Xerxes' pin cushion. The image may remind you of Saint Sebastian in a medieval painting, or Toshiro Mifune in Kurosawa's Throne of Blood. To me it recalled some of the more extreme photographs of Robert Mapplethorpe...

Author: /time Magazine | Title: 7 Reasons Why 300 Is a Huge Hit | 3/14/2007 | See Source »

...Federico Fellini (“La Strada,” “8 1/2”), Michelangelo Antonioni (“L’Avventura,” “Blowup”), Ingmar Bergman (“The Seventh Seal”), and Akira Kurosawa (“Rashomon”) in the middle third of the 20th century.But without Janus Films, a distribution company based at the Brattle Theater, these artistes and their masterpieces might not have reached a broader American audience—it’s all relative, after all.At the very least...

Author: By Kyle L. K. Mcauley, CRIMSON STAFF WRITER | Title: THE MCCOLUMN: Films Worth Mulling Over | 11/16/2006 | See Source »

...Criterion has a gift for pairing films that belong together. One example is its release of Maxim Gorky's play The Lower Depths as filmed by Renoir in 1936 and Kurosawa 21 years later. Another is its dual set of The Killers, both the 1946 Robert Siodmak original of Hemingway's story about a man who welcomes his own murder - it's Burt Lancaster's sleepy-eyed, long-muscled film debut - and Don Siegel's hyped-up 1964 remake that was made for TV but too violent for broadcast...

Author: /time Magazine | Title: A Criterion Top 10 | 11/10/2006 | See Source »

...current mistress to his home town, where he reunites with his former lover and their now grown son. Bittersweet misery ensues. In 1959, when Ozu's reserved style was fully formed, he remade the story as two-hour color film photographed by the great Kazuo Miyagawa, the cinematographer of Kurosawa's Rashomon and Kenji Mizoguchi's Ugetsu. The audio commentary on the later film is by Roger Ebert. Donald Richie, the dean of American film scholars of Japanese film, provided the improved subtitles for both...

Author: /time Magazine | Title: A Criterion Top 10 | 11/10/2006 | See Source »

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