Word: kurtzman
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Dates: during 1980-1989
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This Disney land was always a world so rich and rigid that it was ripe for satire. In 1954 Harvey Kurtzman's Mad comic book burlesqued the Disney cartoon world, with its talking animals wearing three-fingered gloves, its ducks in sailor suits but no pants, and a mouse named Minnie "with lipstick and eyelashes and a dress with high-heeled shoes; a mouse, ten times bigger than the biggest rat." This was mild stuff compared with a 1967 parody that Mad Alumnus Wallace Wood drew for Realist magazine. In the cheerfully scabrous "Disneyland Memorial Orgy," Walt's creatures behaved...
...debate over the homeless came to the fore as a jury deliberated in a murder trial last week. David Kurtzman, 18, a brawny cadet at Northwestern Preparatory School in Santa Barbara, was accused (along with a pal, who will be tried later) of the knife murder of a homeless man whom they found sleeping in a park one night last August. The schoolmates are charged with stabbing Michael Stephenson, an unemployed house painter, 17 times, then slashing his throat. It was the second murder of a homeless person in Santa Barbara in nine months. Kurtzman admitted the killing, but defended...
...three opinions appeared to weaken a major rule announced in the 1971 case of Lemon vs. Kurtzman. But in all the newest religion cases, the court forcefully reaffirmed its commitment to the Lemon test, which makes three demands on any religiously oriented legislation: that it have a secular purpose, that it neither advance nor inhibit religion and that it avoid "excessive entanglement" between government and religion. Justice Brennan's application of the test in the New York school case left officials in what dissenting Justice William Rehnquist called a "catch-22." City school officials argued that they took special care...
Gilliam, the one American in the Python troupe, got his start in New York in the early 1960s as assistant editor of Harvey Kurtzman's humor magazine Help!, which specialized in live-action comic strips called fumettis (puffs of smoke). In Time Bandits, Gilliam is still the innovative graphic artist who brings strange worlds to extravagant life but cannot animate his actors. And he is still blowing smoke in the audience's face, literally and figuratively. Murk swirls through every setting with Bruegelesque squalor and Boschian doom; as a traveler on this time flight, the viewer is less...