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...enthralls. It has the breadth and intelligence of the David Lean epics from whose plots it borrows: the juggling of passion and politics in Doctor Zhivago, the muddle of racial emotions in A Passage to India, the grandiose failure of colonial outsiders in The Bridge on the River Kwai and Lawrence of Arabia. But Indochine's vision is essentially feminine; its ample grief is that of a mother mourning her lost children in a land shifting and receding under her feet...

Author: /time Magazine | Title: Mademoiselle Saigon | 12/21/1992 | See Source »

...owner of Columbia, Sony will control a rich library of 2,700 films, including such Best Picture Academy Award winners as On the Waterfront (1954), Bridge on the River Kwai (1957), Lawrence of Arabia (1962) and Gandhi (1983). The company hopes to use that collection to boost sales of its new 8-mm videocassette equipment...

Author: /time Magazine | Title: Special Report: Foreign Owners From Walkman To Showman | 10/9/1989 | See Source »

...Fifty percent of low-income is almost nothing. I don't know how they can expect us to live on that," said Kwai Ho Tam, an unemployed garment worker from Boston who spoke through an interpreter...

Author: By Michael J. Bonin, | Title: Immigrants Rally at State House | 4/5/1989 | See Source »

Jungle vines long ago began to reclaim the railway leading to the famous bridge on the River Kwai that the Japanese brutally built with Allied POWs and Asian laborers during World War II. Today the Burma-to-Thailand railway, whose bridge inspired a book and movie, is patronized mostly by Westerners visiting the graves of soldiers who worked on it. Hoping to tap such tourism, Thai entrepreneurs propose a $38.5 million reconstruction to turn the decaying area into an amusement park. Survivors of the bloody trail are not amused, however, and compare the idea to refurbishing Auschwitz as a Disneyland...

Author: /time Magazine | Title: Thailand: Carousels on The River Kwai | 3/16/1987 | See Source »

...players shoved center stage, who without power or grace had to make do with the peculiar strengths of the insignificant. The confused inventor in The Man in the White Suit, the "fubsy" robber in The Lavender Hill Mob, and most especially Col. Nicholson in The Bridge on the River Kwai, are all men who have greatness thrust upon them. Olivier would have made Col. Nicholson a hero; Guinness kept him a man. It is fitting, somehow, that after a great and varied career--one which won him an Oscar and knighthood--most movie-goers remember him only...

Author: By Peter D. Sagal, | Title: Humble Reflections | 4/10/1986 | See Source »

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