Word: kwaidan
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Dates: during 1965-1965
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...Kwaidan. Beauty and boredom are richly intermixed in this trio of Japanese ghost stories by Director Masaki Kobayashi, whose last exercise in horror was the classic Harakiri. The boredom stems from three supernatural tales by Lafcadio Hearn, each unfolding with the grace of a water lily and at approximately the same pace. The beauty lies in the film's imagery, the delicate, dreamlike balance of sound and light and color in every frame...
...they can keep their eyelids from drooping at Kwaidan's plots, moviegoers may well be enchanted by its decor. Director Kobayashi imagines a never-never land of vermilion skies and shimmering, silver-green grass, as miraculously unreal as a Japanese landscape painting on silk. Such filmic virtuosity seems almost commonplace, though, among moviemakers of Japan, who sometimes say nothing and say it so impressively that their essays on art appreciation pass for art itself...
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