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...pianists dare attempt French composer Olivier Messiaen’s monumental “Vingt Regards sur l??Enfant Jésus.” Even fewer have the additional distinction of graduating summa cum laude from Harvard with a degree in mathematics...

Author: By Isabelle B. Bolton, CRIMSON STAFF WRITER | Title: Alum Impresses, Advocates Modern Music | 2/14/2003 | See Source »

...says of two of the dancers. “Whatever Victor does, Bobby does; whatever Bobby does, Victor does. It all gets very confusing when they do each other!” Schemmer’s performance résumé includes playing “Elvira L??Infection” in the 2001 Pudding Show, singing with the Krokodiloes last year, and dancing in a ballet program in Cannes two summers ago. Next semester, Schemmer will “round out [his] education” by attending an acting conservatory program in London...

Author: By William L. Adams, CRIMSON STAFF WRITER | Title: It's Getting Hot in Here (Here being the Loeb Mainstage) | 11/14/2002 | See Source »

...Jarvis. HR: H—Goldberg. Pitchers: H—Guy W, 11-2 (7.0 IP, 0 ER, 4 K). L??Buehler...

Author: By David R. De remer and Jon PAUL Morosi, CRIMSON STAFF WRITERS | Title: Softball Makes History With 31-10 Record, ECAC Title | 5/13/2002 | See Source »

...second movement l??ndler was appropriately rustic, while the rondo-burlesque, taken at an exciting but never hurried tempo, culminated in an electrifying outburst at its conclusion. In between the faster fugato sections were heavenly trumpet solos. While the third movement showcased the brass, the strings came through in the last movement, sustaining the intensity of the long phrases until the very end. Bernstein described the final page of the symphony as “the closest we have ever come, in any work of art, to experiencing the very act of dying. The slowness of this page...

Author: By Anthony Cheung, CRIMSON STAFF WRITER | Title: Ozawa Bids Farewell | 4/26/2002 | See Source »

Catherine Murphy’s “Cardboard Palette” (2001), which seems utterly different from the others, corresponds indirectly in that it is a trompe l??oeil residue of the painting process. This enlargement of the artist’s palette, with its convincing globs of paint and glistening highlights, morphs into a created landscape of its own equipped with ridges, valleys and plains...

Author: By Sarah R. Lehrer-graiwer and Natalia H.J. Naish, CONTRIBUTING WRITERSS | Title: Go Figure: Contemporary Art's Dilemma | 3/22/2002 | See Source »

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