Word: la
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
OLYMPICS fans arriving in Mexico City may have picked the best time ever. True, the balmy days are marred by just a touch of smog and the brisk evenings by a faint drizzle. But the city has never looked better. The preparations, of course, were carried out a la mexicana-with the in evitable, exuberant last-minute scramble to get a job done on time. The citizens proudly feel that it was their test, and they made it. Mexico City, scrubbed, brash, vital, is as bright and gay as a piñata party...
...Actión Popular party was not strong enough to outvote his opponents, the coalition of ex-Dictator Manuel Odría's upper-middle-class followers and the left-of-center American Popular Revolutionary Alliance (APRA), headed by Old Liberal Victor Raúl Haya de la Torre, His budgets rose from $400 million to more than $1 billion annually, and the country's cumulative deficit grew to $555 million. Tax dodging by the privileged was flagrant, but Belaúnde's programs were in any case beyond Peru's fiscal capacity. So he went...
...inaugurated." He did not, primarily because he did not want to antagonize Standard Oil (New Jersey), of which IPC is a subsidiary, the U.S. Government and potential foreign investors. But finally, this year, hopeful of improving his shaky political position, he did take over IPC's La Brea y Pariñas oilfield. The deal negotiated with the company was hardly the usual sort of expropriation, and Belaúnde's opponents later charged that it did not offer sizable advantage to the country. Among other things, the company-long seen by Peruvians as an ogreish exploiter...
Zeffirelli's reputation was established at La Scala in Milan, where in 1954 he designed the costumes and sets for, and staged a production of Rossini's La Cenerentola. It was the beginning of the Zeffirelli style-the flamboyant baroque settings, the epic brio that could turn a war horse into a steeplechaser. Although triumphant in opera, he has been somewhat less successful on the dramatic stage. His incoherent Othello was throttled by reviewers at Stratford-on-Avon. After seeing Zeffirelli's Broadway production of The Lady of the Camellias, TIME's critic called...
MOLIERE'S comedy La Tartuffe is unchallengeably a classic, and that is what the French Company, Le Treteau de Paris has given us. There is nothing fandangled about their interpretation of the 17th century comedy; it's a very faithful production, based on the conviction that Moliere is still funny...