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After Regensburg, the mainstream Italian daily La Stampa ran the headline THE POPE AND BUSH ALLIED AGAINST TERROR. The association with the Iraq war and U.S. interrogation methods must have horrified the Pontiff, if only because it could undermine the church's honest-broker role in regional conflicts. "It's easy to say, 'Go Benedict! Hit the Muslims!'" says Gibson. "But that's not who he is. He is not a Crusader." Shortly before Regensburg, Benedict had endured Western criticism for repeatedly demanding a cease-fire after Israel's invasion of Lebanon. Angelo Cardinal Scola, a prot?...

Author: /time Magazine | Title: The Passion of the Pope | 11/19/2006 | See Source »

...same expressions, making his performance feel forced and over the top. The narrative was only made more confusing by the two background dancers incorporated into the scene, which seemed jarringly out of place and did not flow at all with the performance. The second cantata, “La mort d’Hercule,” was much easier to follow, largely due to the superb performance of John D. Kapusta ’09. Kapusta’s singing was full of dynamism and energy and made the story easy to understand. Though the narrative aspect...

Author: By Jessica X.Y. Rothenberg, CONTRIBUTING WRITER | Title: 18th Century Cantatas Morphed for Modern Crowd | 11/19/2006 | See Source »

...order for their approach to music to approximate that of big-screen undertakings. In the film world, soundtracks run in both directions, from hit-packed rosters of foreground music—think “Bad Boys II”—to the painstaking counterpoint of Yo La Tengo’s score for recent indie showpiece “Old Joy.”Video games are much the same, and what many are ignoring is that they have been for years.In contrast to the blaring heavy-metal, pop punk, and rap lineups of such popular series...

Author: By Will B. Payne, CRIMSON STAFF WRITER | Title: PAYNEFUL TRUTHS: A Furor Erupts as Game Trailers Get Musical | 11/16/2006 | See Source »

Cambridge is full of surprises. For instance, did you know that art-house cinema was born here?Well, technically most of it came from European and Asian directors like Jean Renoir (“Grand Illusion”), Federico Fellini (“La Strada,” “8 1/2”), Michelangelo Antonioni (“L’Avventura,” “Blowup”), Ingmar Bergman (“The Seventh Seal”), and Akira Kurosawa (“Rashomon”) in the middle third of the 20th...

Author: By Kyle L. K. Mcauley, CRIMSON STAFF WRITER | Title: THE MCCOLUMN: Films Worth Mulling Over | 11/16/2006 | See Source »

...open curriculum à la Brown or Amherst gives students the ultimate freedom to choose courses without having to satisfy requirements. The open curriculum is grounded in the idea that students will learn most in courses that they want to take. Aside from the obvious boon to students freed from obligation, it would add to the worth of every class. Learning requires interaction between the subject and the person, and not foisting matters on students would enhance the quality of discussions in such classes. Greater choice, in short, would lead to better students, who would also pay greater attention...

Author: By Nathaniel S. Rakich | Title: What Brown Can Do for You | 11/14/2006 | See Source »

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