Word: laban
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Dates: during 1930-1939
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Males: Abel, Abimelech, Abner, Absalom, Ahab, Aaron, Ascher, Baruch, Bud, Dan, Denny, Eli, Elias, Elihu, Enoch, Esau, Esra, Ezechiel, Gad, Gideon, Habakuk, Hillel, Isaac, Isachar, Isidor, Ismael, Israel, Itzig, Jehu, Jehuda, Jeremia, Jethro, Joab, Jochanan, Joel, Jona, Jonathan, Juda, Kaleb, Laban, Lazarus, Levi, Lot, Lupu, Manasse, Moab, Mordechaj, Moses, Naftali, Nathan, Nehemia, Noa, Obadja, Pinkus, Ruben, Sally, Salomon, Samuel, Saul, Schmul, Scholem, Sebulon, Sirach, Simson, Teit, Uria, Uriel, Zedekia...
...kept a brewery on the side, Kurt Jooss was expected to go through a general schooling, return to the soil. He rebelled. At school he was moody, more interested in the piano and taking pictures. For a time he struggled with farming, but after one session with Rudolf von Laban he was suddenly determined to dance, studied for three years with the eccentric who inspired Mary Wigman and many another of the modernistic school...
...radically different dance took root first in Germany shortly before the War when Rudolf von Laban propounded his theory that the important thing was free, inspired movement regardless of its form, that music was unnecessary, at best a mere appendage to real dynamic feeling. Laban theorized down to the smallest detail, studied movements in relation to character and mental attitudes. First to give his ideas concrete expression was his pupil, Mary Wigman, a tense, rawboned woman who was 27 before she decided on a dancer's career. Wigman soon claimed that she could feel herself...
...Denishawn dancer, a Denishawn teacher. Still she felt frustrated, broke from the California studio to teach at Rochester's Eastman School of Music, left Rochester determined to free-lance her way no matter what the odds. The way at first was vague. She had had no contact with Laban or Wigman. Yet she felt the same urge to escape from pretty dancing. Striving for a vital, spontaneous expression, she took to lunging and prancing, projected a sincerity almost severe. In 1926 with $11 to her name she gambled on her first Manhattan recital. Chronically pinched for funds she went...
...from thee too, Jacob, I am sore to part, for we were the right ones for each other. And now thou must muse alone and learn without Rachel who God is. Learn, then, and fare well. And forgive too,' she breathed, 'that I stole the teraphim.' [Laban's household gods.] Then Death passed over her countenance and put out its light...