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Word: label (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...description of the Festival in limited space must partially involve the Communist technique of presenting issues in Vienna: oversimplification. One surprising aspect of this was the utilization of "Fascism." The Communists use the label of "Fascism" to condemn anything they oppose, and fascist techniques to foster what they favor. A fervent Arab communist would claim that anyone in the Hungarian Revolution of 1956 was a fascist, while a more educated Czech communist would admit the fascists were "less than 10 per cent," but reach the same conclusion by the subtle historical error of giving them credit "as the elite...

Author: By Cliff F. Thompson, | Title: Vienna Festival Chants 'Peace, Friendship' | 10/14/1959 | See Source »

...with the admission of failure came a compulsive Communist need to label it a success. Red newspapers carried banner headlines crying, LONG LIVE THE GREAT LEAP FORWARD- and LONG LIVE THE PEOPLE'S COMMUNES! In city after Chinese city last week, party workers were ordered into the street to beat drums and lead parades "celebrating" what were really ghastly failures. Most ominous of all were the blistering attacks on "rightist opportunists," i.e., Communist officials who had protested that the scheduled leap forward was too far and too fast. Such opportunists, said the party, "are singing the same tune...

Author: /time Magazine | Title: RED CHINA: Colossal Failure | 9/7/1959 | See Source »

...some 30 specials. Only apparent problem so far: with one scheduled practically every other night, a "special" may not seem special by season's end. If a new word is needed, the networks can always reach back a few seasons to a quaint, half-forgotten label -"spectacular...

Author: /time Magazine | Title: TELEVISION: Special Plans | 8/17/1959 | See Source »

...accustomed than Americans are to seeing pictures on their own merits. But what the spectators chiefly wanted was explanation. Jack Levine's brilliantly painted Welcome Home, depicting a banquet for a dissolute-looking general (which President Eisenhower objected to as "a lampoon"), left the crowd cold until a label was attached explaining it as "anti-war." Since then, it has been a favorite. Likewise, Peter Blume's surrealistic The Eternal City, in which a bust of Benito Mussolini peers balefully across the Roman Forum, got low marks until it was labeled "antifascist...

Author: /time Magazine | Title: Art: Freedom on Show | 8/17/1959 | See Source »

...Johnson & Johnson baby powder ("The confidence that it inspires extends to all things that bear the maker's label...

Author: /time Magazine | Title: ADVERTISING: Top Ten | 8/17/1959 | See Source »

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