Word: label
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Dates: during 1970-1979
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...Korean War anb the battle against American Communists shared the headlines with phone booth-stuffing contests and hula-hoop exhibitions; at Radcliffe the students thought more of the latter than of the former. Though the military draft made headlines and Sen. Joseph MacCarthy (D-Wisc.) sought to label John K. Fairbank '29, Higginson Professor of History a "red" in January 1954, Radcliffe students of the early '50s conducted inter-dorm song contests and fought off periodic raids by the men down Garden...
Puffing on a Gold Label cigar, Talmadge closely followed the first week's action and then summed it up accurately enough by declaring: "They haven't learned anything" that was not agreed upon by him and the committee in advance. The pace may pick up for Talmadge as the hearings continue and he faces the testimony of Minchew and, possibly, that of his ex-wife Betty...
...writes: "During the summer of 1964 hundreds of middle-class white women went South to work with the Movement and, in a fair number of cases, to have affairs with black men. Some of the women were pressured into it (anything to avoid the label of being racist), others freely chose...
...soon after he left the Quebec Liberal Party in 1967. Only Trudeau's popularity in Quebec exceeds that of Levesque's. The Quebec leader has wisely chosen to keep a low profile during this federal campaign, secretly hoping for Trudeau's demise, while recognizing that support for Clark would label him a traiter in his home province. Trudeau, mean-while, has denied the right of Quebec to separate and refuses to negotiate sovereignty association. Clark has said he would negotiate. Levesque has pledged he would separate only with a majority vote on a referendum...
WITH COVER STORIES in both Downbeat and Musician and a new album (NiceGuys) on ECM--the label that has successfully promoted the likes of Keith Jarrett and Pat Methaney--the AEC is riding a new crest of public interest and acceptance. But as Lester Bowie comments, there has always been a receptive audience for the group's work, and the size of that audience is of no great consequence. The music which so excites critics today is essentially unchanged since the days when the Art Ensemble played for groups of ten or fifteen devotees back in Chicago. Through years...