Word: label
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Naff: A particularly good label for shooting down story ideas that seem impractical, contrived or generally silly. Can also be used to describe questionable fashion choices (implying a slightly ’80s/generally dated aesthetic). May also be used to describe OTT people if you’re feeling mean...
...that kills more music careers than drug overdoses, plane crashes and guest appearances on American Dreams combined. It's called second-album syndrome, and it is a cruel and unpredictable assassin. Paula Cole, the promising pop-folk bohemian of the late '90s, got seven Grammy nominations for her major-label debut, then inexplicably decided to go disco. Search parties have all but given up hope of finding her. Second-album syndrome usually works quickly, but it can also behave like a slow, dignity-robbing virus. Britney Spears had a choice when putting together her second album--establish a pattern...
...birthday party for rapper Heavy D at a cousin's Manhattan nightclub. The money and beautiful women hooked him. Two years later, a local DJ introduced Dash to Brooklyn rapper Shawn (Jay-Z) Carter. They teamed up, and Dash took Jay-Z on the road, but record labels weren't interested. Frustrated, Dash kept hustling Jay-Z at clubs in order to raise the money to start his own label, named in homage to the oil barons. He eventually persuaded Priority Records to distribute Jay-Z's debut, Reasonable Doubt, and it quickly sold a million copies...
...coastline—becomes an almost fetishized sculptural object. Other portions of the exhibit are left similarly unclear: the study models that Maltzan produced during his design process are left to speak for themselves and the oversize architectural cross-sections that dominate the walls of the gallery lack any label or scale. In all, the presentation of “Lift” is a bit too formal, given that social subtext to Malzan’s work would make it more relevant and widely accessible...
...birthday bash for the head of Intelligent Records Shilo McDonald, the show will feature four acts on that label. The Modifiers is a trio that plays punk that you can hum along to and pop that demands attention, and they have played venues as diverse as Lollapalooza and CBGB’s in New York. The Jumblies, a quintet formed four years ago, have generated some buzz in the Boston music scene with their two EPs. They cite influences as diverse as The Smith, My Bloody Valentine, Lou Reed and dub reggae. Slater and JMC also perform, with JMC contributing...