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...lads from Britain--Alexander McQueen for Givenchy, far left, and John Galliano for Christian Dior, middle left--were up to their usual high jinks, but they were usurped in wackiness by even newer kids with scissors--Viktor Horsting and Rolf Snoeren, middle right. The Dutch duo, whose label is known as Viktor & Rolf, got to thinking about the millennium and showed an apocalyptic-appropriate silhouette shaped like a mushroom cloud. Moreover, they put the show together on a shoestring budget--so '90s! There were a few sublime moments, however, such as the Jean-Louis Scherrer cape, near left...

Author: /time Magazine | Title: People: Aug. 3, 1998 | 8/3/1998 | See Source »

...Limp Bizkit is attracting less attention for its music than for one way the group made its breakthrough. In April its label, Flip/Interscope, signed an unprecedented contract with radio station kufo of Portland, Ore., agreeing to pay $5,000 in exchange for 50 plays of Bizkit's single Counterfeit. "Pay-for-play," as this kind of arrangement is called, is a controversial new twist on the old, discredited practice known as payola: instead of letting songs rise or falter on their merits in the tough record marketplace, some labels are improving the odds by paying radio stations cash to play...

Author: /time Magazine | Title: Is That a Song or A Sales Pitch? | 8/3/1998 | See Source »

...Nashville, Tenn., where record bosses have watched country music's ratings share dwindle, one label, Capitol, has pioneered a related tactic: pay-for-say. The label is spending $500,000 at 28 radio stations this year for 10-second commercials to run with songs by Garth Brooks, Steve Wariner and Suzy Bogguss. The ads remind the listener of the singer's name, the record label and where the album can be bought. Though the label does not pay for airplay, the commercials (which run only when the song is played) are an obvious incentive for the station to play...

Author: /time Magazine | Title: Is That a Song or A Sales Pitch? | 8/3/1998 | See Source »

Born in North Carolina but raised in Atlanta, Dupri began wishing and striving for onstage success early on. When he was still just a teen, he discovered, designed and launched the kiddie rap group Kris Kross. In 1992 Columbia Records gave him his own subsidiary label, So So Def, establishing him as a powerhouse in Atlanta's thriving R.-and-B. scene. Dupri, whose real last name is Mauldin, brought his parents, who are divorced, along for the ride: his mother, Tina Mauldin, runs his production company, and Dupri's deal helped his father, Michael Mauldin (a former road manager...

Author: /time Magazine | Title: Music: The Hit Man Of Atlanta | 7/20/1998 | See Source »

...fends off Puffy comparisons by asserting, "The shoes I wear are a whole lot bigger than the shoes that he wears. I'm more hands-on than Puffy in terms of my production." In a sly move, Dupri recently signed Mase, who performs on Puffy's label, Bad Boy, to a deal under which the rapper will find and produce new talent for Dupri...

Author: /time Magazine | Title: Music: The Hit Man Of Atlanta | 7/20/1998 | See Source »

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