Word: label
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...cracked the seal on the Charley's Black Label Rum and poured two glasses, one for Alex and one for myself. As I reached over to hand him the glass, my ribs twinged sharply, reminding me. I glanced around the bedroom in Grays: still sterile, filled with university furniture and my bulging duffle bags. I still couldn't believe it; a few days before I had been quite sure I would not be free, at this institution, at Harvard. The bruises on my ribs were the only hard reminders left, but the institutional experience I had just left was still...
...Ronn Tomassoni, the associate hockey coach. He was given that unusual title three years ago, after being with the Harvard program for four seasons. The reason is simple. To label him an "assistant" to head Coach Bill Cleary just wouldn't do justice...
...last year. Even so, Steel, 43, figured her job was in jeopardy when Sony bought Columbia last September and installed producers Peter Guber and Jon Peters as co-chairmen. She departs with a pay package said to be worth $7 million. While her abrasiveness has earned her the label "Steely Dawn," her star may keep on rising. Among the studios reportedly negotiating with her are Disney, 20th Century Fox, Universal and Warner Bros...
JERRY LEE LEWIS: CLASSIC (Bear Family; import only). Enough Elvis. Jerry Lee's the once and future king of good ole godless rock 'n' roll. Here's heavy proof: an eight-CD box set of vintage Killer material, all recorded for Memphis' glorious Sun label between 1956 and 1963. In the set are 246 tunes, 30 performances issued for the first time, each and every one a blisterer, including even The Marines' Hymn and Dixie, for Lord's sake. Jerry Lee classics are included too, of course, sounding as full of brimstone as ever. While Elvis became the perpetrator...
Triumph of the Spirit might be expected to transcend this label, if only because of one line in the movie's final credits: "Filmed on location at the Auschwitz-Birkenau concentration camps." Co-producer Arnold Kopelson won ! permission from Polish authorities to use the huge camps (now museums) as the setting for his story. How chilling it must have been for the actors and especially the extras -- many of them Auschwitz survivors -- to see the place restored as if in full working order...