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Word: labelers (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...label the comparison between the U.S. intervention in Viet Nam and the Soviet Union's intervention in Czechoslovakia [Sept. 20] "hardly exact, since the U.S. intervened in Viet Nam in order to rescue an established government from subversion while the Soviets invaded a friendly neighbor in order to undermine a government that was struggling to gain a measure of independence and freedom." Yet I'm sure the Soviets feel that they are the ones who are rescuing an established regime from subversion, and that it is the U.S. who is undermining a struggle for independence...

Author: /time Magazine | Title: Letters: Oct. 4, 1968 | 10/4/1968 | See Source »

...presidential campaign of 1968 is dominated by a pervasive and obsessive issue. Its label is law and order...

Author: /time Magazine | Title: THE FEAR CAMPAIGN | 10/4/1968 | See Source »

Such obvious thrusts at such obvious targets hardly make for brilliant satire. But as monotonously intoned by singer Jeannie C. Riley on a tiny Nashville label called Plantation Records, P.T.A. is the runaway hit single of the late summer and autumn. It seems to have tapped a new anti-middle-class market. One other recent, lesser success is Singer-Songwriter Ray Stevens' Mr. Businessman, which declares in part: "Eighty-six proof anesthetic crutches brought you to the top/Where the smiles are all synthetic and the ulcers never stop." The market may consist either of middle-class youngsters...

Author: /time Magazine | Title: Recordings: The Anti-Middle-Class Market | 10/4/1968 | See Source »

Steven J. Kelman '70, president of YPSL, said yesterday that he had proof that Harvard has been serving California grapes this week. He produced a label marked "packed and shipped by George A. Lucas and Sons, Delano, California" that was found in the kitchen of Lowell House...

Author: By James K. Glassman, | Title: Group Blasts Calif. Grapes At University | 9/26/1968 | See Source »

Last week the first recording of the concerto was issued on the Melodyia Angel label. The music should prove as much of a surprise to Shostakovich's fans as to his critics. Gone are the characteristic hard-edged rhythms, brittle orchestral sounds and prankish grotesqueries. Instead, the bad boy of Russian music seems to have found a new mood of lyrical quiet and contentment. His artistic debt to Sergei Prokofiev is as clear as ever-embarrassingly so at times-and some of his melodic writing in the first movement is downright dull. But the elegiac sweep of the middle...

Author: /time Magazine | Title: Recordings: An End to Grotesquerie | 9/20/1968 | See Source »

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