Word: labelers
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Dates: during 1960-1969
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Reagan does not deny having expressed similar views in the past. Says he ruefully: "Maybe I have been a Johnny One-Note on the conservative philosophical trend. But people have tried to plant a right-wing label on me when really I have been saying over and over that there is no quarrel about the goals between people of good will." In fact, on many of his key views, Reagan jibes better with the liberal wing of the G.O.P. than with Goldwaterites...
Opening credits label the enterprise "after" Shakespeare. It is possible that Boris Pasternak's translation aims at rough dramatic paraphrase of the sort Robert Lowell calls "imitation." In any case, it undoubtedly stands on its own merits, none of which, unfortunately, will be intelligible to any but Slavic majors...
Those who label themselves nationalists are a minority in Watts organizations, but the feelings evoked by the phrase "black power" has influenced a whole generation of leaders. f To some it means political power, to some separatism, to some merely a rejection of non-violence. To the youths in their late teens, black power is symbolized by the riots--or the Revolt, as Karenga calls it. It means that the Man can't come down and "whup" them without getting whupped back...
Parental Guide. A classification system will enable the M.P.A.A. to label certain films as "Suggested for Mature Audiences." Even this is not mandatory; it is a "request" to theater owners and a caveat to customers. Valenti feels that it is up to grownups to decide which pictures they want their children to see; the warning label will be mainly a guide for parents...
...were Basso Justino Diaz as Antony and Tenor Thomas as Caesar. Composer Barber's setting for Shakespeare's text was notable chiefly for an orchestration built of conflict ing clouds of moody, often eerie thun-derbursts of sound, punctuated with enough jutting exclamations of dissonance to label it contemporary, and Conductor Thomas Schippers gave it all the fierce sweep of a Force Three hurricane. Yet it was only in the latter part of the second act and in the third that the music itself overwhelmed the stage dazzles. There alone did Barber's vocal writing transform itself...