Word: labelers
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Dates: during 1960-1969
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...Last week the American Heart Association suggested that although the proof is not yet conclusive, the weight of evidence indicates that a lower-fat diet, with proportionately more polyunsaturated:|: vegetable fats, will help to save lives. But the Food and Drug Administration had just threatened action against manufacturers who label shortenings and cooking oils as polyunsaturated, thus implying that they are good for the heart and arteries...
...where his achievement was hailed as "staggering" and "beyond praise." Yet for all the lavish encomiums, Cranko is the first to admit that he and his relatively small company still need five or more years of maturing before they are ready to lay claim to the authentic "Stuttgart style" label some critics have already begun to discuss in glowing, enthusiastic terms. But one thing is already certain: not since the city's celebrated Ballet Reformer Jean-Georges Noverre set out two centuries ago "to smash the masks, to burn the wigs, to present a spirit which ranks high...
...contributions from townspeople-as well as bank loans-to attract new industry. Dessen got a local organization going to get the money, dubbed it CAN DO, then spent three weeks trying to dream up some words to fit the initials. Finally he came up with the coherent if colorless label, "Community Area New Development Organization...
Time-Tested Modern. For 24 years the Museum of Modern Art refused to label its works as a permanent collection, and always planned to switch time-tested art to dustier museums. It bought paintings on the calculation that one out of a dozen might have permanent value. "Today's masterpiece is sometimes tomorrow's bore," wrote the first director, now director of museum collections, Alfred H. Barr Jr., in 1942. Even today, the official permanent collection numbers fewer than 20 works...
MATT A-lolas, 15 East 55th. Chile-born, Paris-based Matta was a bright young acolyte in surrealism's heyday, but that label is too limiting for his talents. The variety of this excellent show proves that he is not to be confined by it. There are huge new spatial fireworks, exploding with the motion of the machine age, smaller works on the same theme, drawings and lithographs. But most interesting is a series of pastels that Matta calls Cabezas (portraits): four black, brutish simulations of heads that are magnificently ugly. Through...