Word: labelers
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...outside of the Science Center building, where the actual panel took place. Such an oversight, however egregious, is likely to be common amongst those seeking only a superficial understanding of Tuesday’s protest—yet it points to the way in which a few can label the many...
...touring the ClearChannel-owned venues of America. They’re often male (instrument-players still disproportionately are), they’re inevitably clad in the most up-to-date wear from Urban Outfitters, and they’ve all been taught—by the label or by the unofficial requisites of the session-musician circuit—the same strange punky-jumpy-dance stage presence...
...that it will be picked up. Look at Fiona Apple’s recent (non)release, Extraordinary Machine. Say what you will about Ms. Apple’s merits, the fact of the matter is she’s got a talent that does not mesh with what her label (Sony) wants in a saleable product, and so the album has been shelved for years...
...their performances have taken on a historic importance. Callas' farewell appearance on the opera stage, in Tosca,at London's Covent Garden in 1965, is the centerpiece of Maria Callas: Living and Dying for Art and Love,which is selling briskly at $24.99 after its release on the TDK label last month...
...selective guest list. Then they’ve got a (supposedly) killer bash—and most importantly, an identity. As for the guests, they let their friends or boyfriends have a direct position of power over them. Fall out with one member, fall out with all, right? The label (and the late-night parties) are so important to people that they put up with all sorts of indignities—even the threat of sexual violence or at the least, big-time regrets—to experience it. It’s a shame...