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...wear lines, too. Hong Kong-based designer Ranee Kok Chui Wah added feathers and a long, sassy gold sash to her cheongsams, or traditional Chinese dresses; Malaysia's Beatrice Looi applied the country's batik dyeing method to her beaded and sequined silk organza formal wear; and Korean label Kang Ki Ok Urban Look painted the fiery phoenix, once deemed appropriate only for royalty, on the princess-seamed back of a denim dress. Urban Look design director Kwan Jung Ran says the idea is to show that beauty hides in the least obvious places. "Denim is vintage, casual and popular...

Author: /time Magazine | Title: Asia's Look for 2004 | 2/15/2004 | See Source »

When Juvenile departed Cash Money Records, the label he single-handedly brought to prominence, his career seemed all but over. While Cash Money artists like the Big Tymers and Boo & Gotti cranked out a series of hits, he was stuck promoting no-name rappers via his UTP Playas collective. But like the Prodigal Son of the New Orleans rap scene, Juvenile has returned to Cash Money—and Juve the Great just might be the record that saves his career...

Author: NO WRITER ATTRIBUTED | Title: NEWMUSIC | 2/13/2004 | See Source »

Fans who lost track of Juvenile after his 1998 breakout album 400 Degreez may have trouble believing that Juve the Great is a product of the same man and the same record label. Gone are the flashy Cash Money album covers of yore. Gone, too, is the creative monopoly normally afforded to producer Mannie Fresh. Even Juvenile’s voice has changed, sounding surprisingly polished for a man whose first hit consisted of grunting “ha” at the end of each line. In fact, the only constant is Juvenile’s uncanny flair...

Author: NO WRITER ATTRIBUTED | Title: NEWMUSIC | 2/13/2004 | See Source »

...heard everywhere all the time. Luckily, she now has enough control to prevent such a thing from happening. In mid-2002, after Come Away with Me had shocked everyone by selling a million records almost entirely on word of mouth, Virgin, the bigger corporate sister of Jones' tiny record label, Blue Note, presented her with an absurdly upbeat remix of her song Don't Know Why, which they hoped to turn into a pulsing pop-radio hit. "It was a full-on drum machine thing," says Jones. "Don't know why ... why ... why ... I didn't come ... come ... come ... Just...

Author: /time Magazine | Title: Music: Come Away Again | 2/9/2004 | See Source »

None of this bedlam fazes Keller, 48, who is used to the organized chaos of a busy kitchen. Instead he has zeroed in on a minor detail, the tiny labels on the Garnier Thiebaut linen that has just arrived from France. "Especially made for the French Laundry" they read, referring to Keller's four-star restaurant in Napa instead of Per Se, for which the linen was ordered. That few if any diners will notice the label on their napkin is immaterial; Keller knows it is wrong. And it irritates...

Author: /time Magazine | Title: Entrepreneurs: Chef's Surprise | 2/9/2004 | See Source »

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