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...says. The audience responds enthusiastically.Powers announces that the first song they will perform, entitled “Honest,” will be available on their EP, to be released by Veritas Records—”Harvard’s only student-run record label??—in January.He gives a shout-out to Tony M. Spaniola ’10, the CEO of Veritas, who is running the soundboard. Then, he launches into “Honest,” an earnest soft-rock tune.Two days later, Powers is working on music again...

Author: By Evan T. R. Rosenman, CRIMSON STAFF WRITER | Title: Veritas Aims for the Stars | 1/11/2009 | See Source »

...debut remains Takoma’s best-selling record. While Kottke may have been Takoma’s star—his music is the most accessible of any of his contemporaries, and he’s arguably the most technically skilled among them—Fahey was the label??s creative center. His early discography is an unparalleled example of American Primitive, but his later albums depart strongly from that movement in search of ambient and drone-oriented experimentalism. Two of his final albums, “The Mill Pond” and “Womblife...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Rediscovering the Lasting Appeal of American Primitive Music | 11/7/2008 | See Source »

...sophistication, these personae have become less textual and more enigmatic. One of the most well known street art blogs, Streetsy.com, uploads daily photos of street art—postering, stensils, street sculpture, murals, decals, and other work whose merit transcends the pejorative “graffiti” label??in Los Angeles, New Orleans, New York City, Paris, Tokyo and elsewhere. What makes this site more interesting than the ordinary blog is the strange standard for attribution—the artists are anonymous, but even those artists without a consistent alias can be identified by consistent qualities...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: From the Street to the Web | 10/9/2008 | See Source »

...cult following with their prolific, eclectic output that runs the gamut from folk revival and psychedelic to noise, drone, and experimental world music. While Sublime Frequencies never released an SCG album, the parallels between the band’s evolution and the stylistic samplings of the label are abundant.The label??s mission and appeal can be described with a story about one of their finest releases, “Guitar Music from the Western Sahara,” by Group Doueh. According to documents about the album, Bishop heard a sample of the band’s innovative...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: From the Sahara to the Square | 9/25/2008 | See Source »

...musician’s career can’t last forever, but a well-managed franchise is eternal. The Beatles are a good example: their record label??s maneuvering has kept the group profitable long past their final album. The Wu-Tang Clan, a group with similar franchise potential, was unable to sample “While My Guitar Gently Weeps” for their newest song due to strict copyright restrictions. So, with the help of Dhani Harrison (the late George’s son), Erykah Badu, and John Frusciante, they “interpolated?...

Author: By Mark A. Vanmiddlesworth, CONTRIBUTING WRITER | Title: POPSCREEN: The Wu-Tang Clan | 4/25/2008 | See Source »

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